“Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers

碩士 === 國立陽明大學 === 衛生福利研究所 === 99 === Four women, showing four kinds of dances, devote themselves to dancing on the stage. They realize their dreams on their own stage, and at this moment, what they long to do is present their true self on the stage. In chapter one, the researcher starts with her e...

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Main Authors: Tsui-Han Huang, 黃萃涵
Other Authors: Frank Tsen-Yung Wang
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/57589153805989179717
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spelling ndltd-TW-099YM0055990122015-10-13T20:37:08Z http://ndltd.ncl.edu.tw/handle/57589153805989179717 “Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers 「沒有聲音不代表不存在」─ 女性街舞舞者自我實踐的展現 Tsui-Han Huang 黃萃涵 碩士 國立陽明大學 衛生福利研究所 99 Four women, showing four kinds of dances, devote themselves to dancing on the stage. They realize their dreams on their own stage, and at this moment, what they long to do is present their true self on the stage. In chapter one, the researcher starts with her experience of being involved in street dances, and then explores how much street dances mean to female dancers because they fulfill themselves through street dances. In chapter two, it states how female physical figure is gazed in a sense under the context of medicine and social culture and the way females claim their subjectivity. Contrast to previous research on street dances, the researcher explores the experience of female street dancers in term of the viewpoint of Feminism. In chapter three, the researcher illustrates the contents in the form of narrative inquiry and tells of how the four female street dancers are discovered in the field. In chapter four , Phoenix shares the true life of the dancer; besides, Dipmles talks you about her addiction to street dances, and Maggie owes her success of street dances to her belief. Ruby Red longs to devote her life to street dances. In chapter five, throughout the history of the street dances, the researcher tries to analyze the reasons why female street dancers disappear in the context of history and states that female street dancers show themselves in a graceful and appealing way in the presence of viewers. In the last chapter, the researcher reflects on what the research deals with and proposes some ideas about the future project. This research not only records the stories of female street dancers but also contains the researcher’s journey of life. In sum, women don’t hide themselves silently behind successful men; instead, they have to voice for themselves to show passion for life. Silence doesn’t mean disappearance. Frank Tsen-Yung Wang 王增勇 2011 學位論文 ; thesis 119 zh-TW
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description 碩士 === 國立陽明大學 === 衛生福利研究所 === 99 === Four women, showing four kinds of dances, devote themselves to dancing on the stage. They realize their dreams on their own stage, and at this moment, what they long to do is present their true self on the stage. In chapter one, the researcher starts with her experience of being involved in street dances, and then explores how much street dances mean to female dancers because they fulfill themselves through street dances. In chapter two, it states how female physical figure is gazed in a sense under the context of medicine and social culture and the way females claim their subjectivity. Contrast to previous research on street dances, the researcher explores the experience of female street dancers in term of the viewpoint of Feminism. In chapter three, the researcher illustrates the contents in the form of narrative inquiry and tells of how the four female street dancers are discovered in the field. In chapter four , Phoenix shares the true life of the dancer; besides, Dipmles talks you about her addiction to street dances, and Maggie owes her success of street dances to her belief. Ruby Red longs to devote her life to street dances. In chapter five, throughout the history of the street dances, the researcher tries to analyze the reasons why female street dancers disappear in the context of history and states that female street dancers show themselves in a graceful and appealing way in the presence of viewers. In the last chapter, the researcher reflects on what the research deals with and proposes some ideas about the future project. This research not only records the stories of female street dancers but also contains the researcher’s journey of life. In sum, women don’t hide themselves silently behind successful men; instead, they have to voice for themselves to show passion for life. Silence doesn’t mean disappearance.
author2 Frank Tsen-Yung Wang
author_facet Frank Tsen-Yung Wang
Tsui-Han Huang
黃萃涵
author Tsui-Han Huang
黃萃涵
spellingShingle Tsui-Han Huang
黃萃涵
“Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers
author_sort Tsui-Han Huang
title “Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers
title_short “Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers
title_full “Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers
title_fullStr “Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers
title_full_unstemmed “Silence does not mean disappearance.”─ The Presentation of Practice of Self about Female Street Dancers
title_sort “silence does not mean disappearance.”─ the presentation of practice of self about female street dancers
publishDate 2011
url http://ndltd.ncl.edu.tw/handle/57589153805989179717
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