The Analysis and Vocal Interpretation of three Cleopatra Arias from Handel’s Opera “Giulio Cesare in Egitto”

• Main Authors: Wan-Leng Chao, 趙宛稜
• Other Authors: 曹圓
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/88517382826428302348

碩士 === 台南應用科技大學 === 音樂研究所 === 99 === The purpose of this study focused on Handel’s opera‘Giulio Cesare in Egitto, 1724＇which was included three arias, there are “V’adoro, pupille”, “Se pietà di me non senti” and “Piangerò la sorte mia”. By analysis of these arias, the characters of phrase paragraph could be combined with promoting repeated lyrics, abundant changes in tonality and timbre, and emphasizing changes of velocity and strength. Therefore, A’ paragraph of aria da capo use vocal ornament such as appoggiatura and acciaccatura etc. to show various changes. In arias, they use disjunct motion properly to perform graceful melody. Recently, Handel’s opera was renewed attention and aroused a lot of audio data. It can be proved that Handel is not only an oratorio composer but also a more and more popular opera composer.