Friction of the Visual — Sketching of Layers

碩士 === 國立臺北藝術大學 === 美術學系美術創作碩士班 === 99 === The discourse focuses on the statements of my artworks from 2008 to 2010. The context includes my thinking model of creation, my personal point of view of Art. To review my art creation path, it is a self-reflection and examination of my vision towards art...

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Main Authors: Yi-Hsun Tsai, 蔡奕勳
Other Authors: 張正仁
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/jnf4m5
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spelling ndltd-TW-099TNUA55050072018-04-10T17:13:53Z http://ndltd.ncl.edu.tw/handle/jnf4m5 Friction of the Visual — Sketching of Layers 視覺摩擦 ─ 層次的寫生 Yi-Hsun Tsai 蔡奕勳 碩士 國立臺北藝術大學 美術學系美術創作碩士班 99 The discourse focuses on the statements of my artworks from 2008 to 2010. The context includes my thinking model of creation, my personal point of view of Art. To review my art creation path, it is a self-reflection and examination of my vision towards art and creation. With following three dimensions:The tracing of art-create motivation, the description of artwork concepts and the decision-making of the art-create form. I would like to begin the clarification and analysis of my personal status of art-creation. When choosing the topic of artwork statement, I prefer to follow the digital media in daily life. According to the swift of structure of relationship with others and the frequencies of using physical perceptions, I observe the back and forth of the status of being. Through the features of media in contemporary living style, I would like to narrative my status of being and value of perception. “Friction of the visual—Sketching of layers”is the title of my artwork statement research. By reviewing the correspondence of statement writing and artwork-creation, I want to revise the errors and improve the connection between them, thus to relocate my position of subject and reform the status of art-creation. Following is the structure and briefing of the discourse-Preface:The motivation of artwork-create, research on methods of creation and the scale of research. Chapter One:My opinion of the relationship between media and physical reactions, and the connection of my understanding of above topic and the presentation in my artworks. Chapter Two:The text research of information delivery in photography, and compare the research outcome with the digital media used nowadays. Chapter Three:Proposal of approaches to explain the appropriation of physical perception so as to clarify the art-create developing and further possibility. Chapter Four:Using discourses in previous chapters as reference to analyze artworks. Conclusion:The overall induction of the writing and the general feedback of creation of series artworks, thus to indicate the future development and the further researches. 張正仁 2011 學位論文 ; thesis 75 zh-TW
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language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺北藝術大學 === 美術學系美術創作碩士班 === 99 === The discourse focuses on the statements of my artworks from 2008 to 2010. The context includes my thinking model of creation, my personal point of view of Art. To review my art creation path, it is a self-reflection and examination of my vision towards art and creation. With following three dimensions:The tracing of art-create motivation, the description of artwork concepts and the decision-making of the art-create form. I would like to begin the clarification and analysis of my personal status of art-creation. When choosing the topic of artwork statement, I prefer to follow the digital media in daily life. According to the swift of structure of relationship with others and the frequencies of using physical perceptions, I observe the back and forth of the status of being. Through the features of media in contemporary living style, I would like to narrative my status of being and value of perception. “Friction of the visual—Sketching of layers”is the title of my artwork statement research. By reviewing the correspondence of statement writing and artwork-creation, I want to revise the errors and improve the connection between them, thus to relocate my position of subject and reform the status of art-creation. Following is the structure and briefing of the discourse-Preface:The motivation of artwork-create, research on methods of creation and the scale of research. Chapter One:My opinion of the relationship between media and physical reactions, and the connection of my understanding of above topic and the presentation in my artworks. Chapter Two:The text research of information delivery in photography, and compare the research outcome with the digital media used nowadays. Chapter Three:Proposal of approaches to explain the appropriation of physical perception so as to clarify the art-create developing and further possibility. Chapter Four:Using discourses in previous chapters as reference to analyze artworks. Conclusion:The overall induction of the writing and the general feedback of creation of series artworks, thus to indicate the future development and the further researches.
author2 張正仁
author_facet 張正仁
Yi-Hsun Tsai
蔡奕勳
author Yi-Hsun Tsai
蔡奕勳
spellingShingle Yi-Hsun Tsai
蔡奕勳
Friction of the Visual — Sketching of Layers
author_sort Yi-Hsun Tsai
title Friction of the Visual — Sketching of Layers
title_short Friction of the Visual — Sketching of Layers
title_full Friction of the Visual — Sketching of Layers
title_fullStr Friction of the Visual — Sketching of Layers
title_full_unstemmed Friction of the Visual — Sketching of Layers
title_sort friction of the visual — sketching of layers
publishDate 2011
url http://ndltd.ncl.edu.tw/handle/jnf4m5
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