| Summary: | 碩士 === 國立臺北藝術大學 === 音樂學系碩士在職專班 === 99 === This thesis focuses on Schumann''s Piano work, Kinderszenen, Opus 15. Schumann growth of the background, is in the Romantic period. He is the representative of the early Romantic composers, but also following the Schubert, the Germany''s most important creators of art songs. As romantic instincts, all of Schumann''s works reflect the inner emotions and his thought content. He writing to express their emotions more than the first or with the title character of the pieces “characteristic piece”.
Kinderszenen, Opus 15, ditty composed by the thirteen character sketches, is Schumann''s position to adult memories of happy times of childhood, with some fantastic scenes work done. This works in his lifetime to the front end of the century until the Schumann, has been elected as the piano ditty set to be a model. This article is divided into four chapters to explore: the first chapter from Schumann''s life he created the background to understand the process and philosophy; the second chapter of Schumann''s piano music to resolve the characteristics of his music; the third chapter explores the origin of Kinderszenen and his creative techniques; the forth chapter of thirteen song sucked work to do more detailed analysis and interpretation, and finally a short conclusion as the article summary.
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