The Existence of 〝I〞

碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 99 === Creating is a way to express one’s emotions; one can narrate his or her aesthetic experience by the works they creatived. Beauty cannot be explained by words, but needs to be perceived by sensitive feelings. Aesthetic is based on personal subjectivity,...

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Main Authors: Hui-Chin Huang, 黃惠琴
Other Authors: Hsi-Chuan Liu
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/42qfse
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spelling ndltd-TW-099TNUA52330232018-04-10T17:20:51Z http://ndltd.ncl.edu.tw/handle/42qfse The Existence of 〝I〞 自為的存在 Hui-Chin Huang 黃惠琴 碩士 國立臺北藝術大學 美術學系碩士在職專班 99 Creating is a way to express one’s emotions; one can narrate his or her aesthetic experience by the works they creatived. Beauty cannot be explained by words, but needs to be perceived by sensitive feelings. Aesthetic is based on personal subjectivity, and artwork is to re-create the experiences artists that perceived through appropriate language for painting. This disser tation is going to depart to five chapters to demonstrate my thoughts and the developments of my creations, and to discuss the conneetion between creations and an individual, to search the posibilities of self-approval. Chapter 1 Preface It mainly describes how the life experiences in the mountains’inspired the author’s aesthetics and point of view toward creating. Chapter 2 Theories of Creation It discusses how perceptual and aesthetic experiences influence of creating art, and compares the different results of visual and verbal expressions. Chapter 3 The Practice and Context of Creation During the progress of creating, the interesting of whimsical techniques develop the series; through the study of the context of the artwork and the comparison with the others, the author confirms the conneetion between the development of creation and self-existence. Chapter 4 The Analysis of the Content and Form of Creative Work This chapter will be divided into three parts; it will remain the development and the relevance of the work during the process of analysis. Chapter 5 Conclusion The chapter sums up the research of this thesis and the status of the work, and also elaborates the direction of the work’s follow-up development. The three years’learning experiences in graduate school, keeps me to continue my passion and improvement of creation and these experiences make me realize that there are many categories of art are keeping to develop in many ways in present age, and trying to find their own orientations. We should learn with an open-minded attitude when we do creative works and accepting the polybasic of art also fills my own art creations with more profundity and vitality. Hsi-Chuan Liu 劉錫權 2011 學位論文 ; thesis 49 zh-TW
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description 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 99 === Creating is a way to express one’s emotions; one can narrate his or her aesthetic experience by the works they creatived. Beauty cannot be explained by words, but needs to be perceived by sensitive feelings. Aesthetic is based on personal subjectivity, and artwork is to re-create the experiences artists that perceived through appropriate language for painting. This disser tation is going to depart to five chapters to demonstrate my thoughts and the developments of my creations, and to discuss the conneetion between creations and an individual, to search the posibilities of self-approval. Chapter 1 Preface It mainly describes how the life experiences in the mountains’inspired the author’s aesthetics and point of view toward creating. Chapter 2 Theories of Creation It discusses how perceptual and aesthetic experiences influence of creating art, and compares the different results of visual and verbal expressions. Chapter 3 The Practice and Context of Creation During the progress of creating, the interesting of whimsical techniques develop the series; through the study of the context of the artwork and the comparison with the others, the author confirms the conneetion between the development of creation and self-existence. Chapter 4 The Analysis of the Content and Form of Creative Work This chapter will be divided into three parts; it will remain the development and the relevance of the work during the process of analysis. Chapter 5 Conclusion The chapter sums up the research of this thesis and the status of the work, and also elaborates the direction of the work’s follow-up development. The three years’learning experiences in graduate school, keeps me to continue my passion and improvement of creation and these experiences make me realize that there are many categories of art are keeping to develop in many ways in present age, and trying to find their own orientations. We should learn with an open-minded attitude when we do creative works and accepting the polybasic of art also fills my own art creations with more profundity and vitality.
author2 Hsi-Chuan Liu
author_facet Hsi-Chuan Liu
Hui-Chin Huang
黃惠琴
author Hui-Chin Huang
黃惠琴
spellingShingle Hui-Chin Huang
黃惠琴
The Existence of 〝I〞
author_sort Hui-Chin Huang
title The Existence of 〝I〞
title_short The Existence of 〝I〞
title_full The Existence of 〝I〞
title_fullStr The Existence of 〝I〞
title_full_unstemmed The Existence of 〝I〞
title_sort existence of 〝i〞
publishDate 2011
url http://ndltd.ncl.edu.tw/handle/42qfse
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