A Research on Salons of Denis Diderot——The Sentiment of Art Work and its Appreciation

• Main Authors: Yi-Hsiu, Lin, 林奕秀
• Other Authors: Jen-I Liao
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/3j9nz8

碩士 === 國立臺北藝術大學 === 美術史研究所西洋美術史組 === 99 === This article, mainly aided by the 1765, 1767 Salons criticism of Denis Diderot (1713-1784), deals with the second half 18th century art works, activities and criticisms centered at Paris. It makes careful observation and analysis about Royale Académie de peinture et de sculpture, the artists from the Academy, the Salon exhibitions held by the Academy, Salon criticisms, the exhibited drawings and paintings and some major, related thoughts at that time. The observation and analysis thrive to show the authentic historical context where the arts were performed, make optimal basis for following examination. Based on historical context, this article starts examine the sentiment/sensibilité appeared in the artistic writings of Diderot and relative art works; further refers sentiment quality to current arts ideas, like the emphasis on viewing, the popularity of drama concepts in painting field, and the aesthetics dissertated by Empiricists. Later in this article, two 1760s Salon painters, Jean-Baptiste Greuze (1725-1805), Hubert Robert (1733-1808), and their works and related critics, are dragged out to reveal the sentiments in art works and its appreciation. By the meticulous development above, it is suggested that, in the second half of the 18th century,the quality of sentiment/sensibilité exists in the art field of Paris.