The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance”

碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 99 === The study is focus on the “Whirling Dance” by Chung Yiu-Kwong (b. 1956). Written in 2007, Whirling Dance is a flute concerto dedicated to the Sweden flutist Sharon Bezaly. In 2009, the “Whirling Dance” is adapted for bamboo flute by the bamboo flutists Chen C...

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Main Authors: Lai,Yi-Chun, 賴苡鈞
Other Authors: 鄭德淵
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/83731057886214438405
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spelling ndltd-TW-099TNCA57500012015-10-13T20:08:43Z http://ndltd.ncl.edu.tw/handle/83731057886214438405 The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance” 笛曲《胡旋舞》之探討與樂曲詮釋 Lai,Yi-Chun 賴苡鈞 碩士 國立臺南藝術大學 民族音樂學研究所 99 The study is focus on the “Whirling Dance” by Chung Yiu-Kwong (b. 1956). Written in 2007, Whirling Dance is a flute concerto dedicated to the Sweden flutist Sharon Bezaly. In 2009, the “Whirling Dance” is adapted for bamboo flute by the bamboo flutists Chen Chung-Sen and Dai Ya respectively, and the two different versions for bamboo flute are the subjects of the study. In the author’s viewpoint, a correct access to ponder on how to perform and interpret one piece should be grounded on the sufficient background understanding concerning the composer, style and background of the very subject, on the thorough analyses of the rhythm, tone, harmony, texture and structure, and lastly on the deliberate probe into the content, With the comprehensive survey and understanding towards one piece, we can further discuss the interpretation and performance. The study starts with analyzing the composer’s biography as well as background to discuss his composing methods and composition features, then probing into the “Sufi Dancing” materials applied into the piece, and further interpreting this piece after particular analyses on the musical form and the composing motive. As for the interpretation, it begins with analyzing the usage of instruments to see the influences of hole-added bamboo flutes on performing the “Whirling Dance.” Next, make a comparison between the original version and the two adapted versions to discuss the differences. Last but not least, sum up the former analyses and further conclude the aspect of interpretation of performing the “Whirling Dance.” Recording traits of the modern pieces of bamboo flute by analyzing in different layers, the study is looking forwards to providing future performers with a comprehensive knowledge of “Whirling Dance” and further arousing much more ideas on the interpretation. 鄭德淵 陳中申 2011 學位論文 ; thesis 83 zh-TW
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description 碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 99 === The study is focus on the “Whirling Dance” by Chung Yiu-Kwong (b. 1956). Written in 2007, Whirling Dance is a flute concerto dedicated to the Sweden flutist Sharon Bezaly. In 2009, the “Whirling Dance” is adapted for bamboo flute by the bamboo flutists Chen Chung-Sen and Dai Ya respectively, and the two different versions for bamboo flute are the subjects of the study. In the author’s viewpoint, a correct access to ponder on how to perform and interpret one piece should be grounded on the sufficient background understanding concerning the composer, style and background of the very subject, on the thorough analyses of the rhythm, tone, harmony, texture and structure, and lastly on the deliberate probe into the content, With the comprehensive survey and understanding towards one piece, we can further discuss the interpretation and performance. The study starts with analyzing the composer’s biography as well as background to discuss his composing methods and composition features, then probing into the “Sufi Dancing” materials applied into the piece, and further interpreting this piece after particular analyses on the musical form and the composing motive. As for the interpretation, it begins with analyzing the usage of instruments to see the influences of hole-added bamboo flutes on performing the “Whirling Dance.” Next, make a comparison between the original version and the two adapted versions to discuss the differences. Last but not least, sum up the former analyses and further conclude the aspect of interpretation of performing the “Whirling Dance.” Recording traits of the modern pieces of bamboo flute by analyzing in different layers, the study is looking forwards to providing future performers with a comprehensive knowledge of “Whirling Dance” and further arousing much more ideas on the interpretation.
author2 鄭德淵
author_facet 鄭德淵
Lai,Yi-Chun
賴苡鈞
author Lai,Yi-Chun
賴苡鈞
spellingShingle Lai,Yi-Chun
賴苡鈞
The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance”
author_sort Lai,Yi-Chun
title The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance”
title_short The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance”
title_full The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance”
title_fullStr The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance”
title_full_unstemmed The Analysis and Interpretation of the Bamboo Flute Concerto“Whirling Dance”
title_sort analysis and interpretation of the bamboo flute concerto“whirling dance”
publishDate 2011
url http://ndltd.ncl.edu.tw/handle/83731057886214438405
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