How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example
碩士 === 國立臺南藝術大學 === 音像紀錄與影像維護研究所 === 99 === Music as an intangible culture, refers not only to itself but also to its original and historical and environmental background. Nan Kouan originates from Minnan culture.The immigrants bring their music and life pattern to Taiwan. This essay would focus on...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2011
|
Online Access: | http://ndltd.ncl.edu.tw/handle/53971166122649135357 |
id |
ndltd-TW-099TNCA5640007 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-099TNCA56400072015-10-13T21:12:26Z http://ndltd.ncl.edu.tw/handle/53971166122649135357 How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example 在時代變遷中,傳統藝術如何延續命脈《以再見/再現南音為例》 Cheng, Hsu-Po 程旭珀 碩士 國立臺南藝術大學 音像紀錄與影像維護研究所 99 Music as an intangible culture, refers not only to itself but also to its original and historical and environmental background. Nan Kouan originates from Minnan culture.The immigrants bring their music and life pattern to Taiwan. This essay would focus on the process of making the documentary of Nan Sheng Association which is in a state of to and fro, visiting and representation : 1 Different from mass-media exposed pop music , Nan Kouan still develops its distinct style. 2 Because of its special historical status, Traditional music Nan Kouan forms its special community. 3 One of this kind of community is Tainan Nan Sheng Association. This essay devotes to preserve and prolong Nan Kouan legacy. 井迎瑞 2011 學位論文 ; thesis 0 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 國立臺南藝術大學 === 音像紀錄與影像維護研究所 === 99 === Music as an intangible culture, refers not only to itself but also to its original and historical and environmental background. Nan Kouan originates from Minnan culture.The immigrants bring their music and life pattern to Taiwan.
This essay would focus on the process of making the documentary of Nan Sheng Association which is in a state of to and fro, visiting and representation :
1 Different from mass-media exposed pop music , Nan Kouan still develops its distinct style.
2 Because of its special historical status, Traditional music Nan Kouan forms its special community.
3 One of this kind of community is Tainan Nan Sheng Association.
This essay devotes to preserve and prolong Nan Kouan legacy.
|
author2 |
井迎瑞 |
author_facet |
井迎瑞 Cheng, Hsu-Po 程旭珀 |
author |
Cheng, Hsu-Po 程旭珀 |
spellingShingle |
Cheng, Hsu-Po 程旭珀 How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example |
author_sort |
Cheng, Hsu-Po |
title |
How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example |
title_short |
How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example |
title_full |
How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example |
title_fullStr |
How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example |
title_full_unstemmed |
How Traditional Art Remain in the Changing of Time: with Valediction or Representation on Nan Kouan as Example |
title_sort |
how traditional art remain in the changing of time: with valediction or representation on nan kouan as example |
publishDate |
2011 |
url |
http://ndltd.ncl.edu.tw/handle/53971166122649135357 |
work_keys_str_mv |
AT chenghsupo howtraditionalartremaininthechangingoftimewithvaledictionorrepresentationonnankouanasexample AT chéngxùpò howtraditionalartremaininthechangingoftimewithvaledictionorrepresentationonnankouanasexample AT chenghsupo zàishídàibiànqiānzhōngchuántǒngyìshùrúhéyánxùmìngmàiyǐzàijiànzàixiànnányīnwèilì AT chéngxùpò zàishídàibiànqiānzhōngchuántǒngyìshùrúhéyánxùmìngmàiyǐzàijiànzàixiànnányīnwèilì |
_version_ |
1718057293356990464 |