| Summary: | 碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 99 === “Addendum” is a term used to rethink the training of the “visual art” in the past, and connects it to the practice of art creation in the future. Thus, the author would like to emphasize that “the folding of the past is continuously becoming a new context, and the pretext is constantly subject to change and redefinition with itself through the continuous piling and folding.”
The thesis attempts to think the reproduction of the everyday life: whether there is a passage towards the visual field of others through dialogue and participation/presence. The visual field of others does not simply suggest the purpose of report or record. More importantly, it is an alternative method to understand the other, and then conducts “a new adventure of the everyday life” to the original everyday life via the process of becoming and mingling of the visual field.
I would regard the art practice as a platform for the exchange of the everyday life of others. Contrary to the other,” who appears from the background, I want to enter the everyday domain of others in order to render the contours of others clearer. Of course, in the process of dialogue, I get benefitted more. Thus, the end of the thesis attempts to think: how to keep the process as equal as possible. Nonetheless, to obtain the equality is not only the mission of the research ethics, but also my work/methodology. With a format of dialogues in place with the interview, the thesis attempts to share the data after the dialogues, and then aims at a new conversation of the following continuous dialogues.
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