| Summary: | 碩士 === 國立臺南藝術大學 === 應用藝術研究所 === 99 === This article aims to discuss how I wander around the space which is both real and virtural alternately. This space conatinssome changes and clarification of my personal thinking changes, and also contains some quality transformation of clay and water interacted in temporarily to gradually become a kind of regularity or cycle with the process of accumulation or reduction in the field of my art work.
The paper is involved two themes:
In Chapter I, Circuitousness: Starting with my experience falling into Hypnagogia to clarify the phenomena whichformed an independent individual when separated from the matrix. Then, I attempt to comb out a circulation of the destructive and productive drives mutually grow and decline in the space of chora.
In Chapter II, Passage: Starting with describing my art work , it included the spirituality in the matter clay, which combined the physical labor to be a process of accumulation in my working On the other, the matter clay is to be gradually decaying in virtue of the water intruding, and it is a process of reduction. These two opposing processes which refer to the space of chora demonstrate the dimensions of life and desteruction.I wander in these extremes,to and my this art work is as a progressive form of my wandering , a devious and pendulous journey .
Finally, in Chapter III, Out of Passage: Aiming at the other imaging possibilities besides the art work presented the opposing duality of constructiveness and destructiveness- or the life and the death.
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