“Mist, Tree, Cloud, and Mountain” in Southern Sung Landscape Painting: My Viewpoints and Paintings in Yangminshan Landscape

• Main Authors: Chang Hui Wen, 張惠雯
• Other Authors: Wang Da Jhih
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/88924496506480148649

碩士 === 中國文化大學 === 美術學系 === 99 === Below is the summary of the essay: Chapter One: Introduction explains the motivation, purpose, and method of this thesis. The range focuses on landscape paintings of Southern Sung Dynasty. Also, refer to other’s study cases and researches on Sung Dynasty. Chapter Two: Scrutinize how Southern Sung painters construct the painting technique of “Mist, Tree, Cloud, and Mountain” on the artworks; and further, exemplify, compare and analyze the theme of these landscape paintings. Chapter Three: Explore the varieties of Yangmingshan—geographical features, climate, woods, mountain, and cloud—as the background of my landscape paintings. Chapter Four: Regard these natural painting features of Southern Sung Dynasty as my creative inspiration on landscape paintings. Chapter Five: Examine the idea and analysis of artworks and make a conclusion for my research. With the research of Southern Sung landscape painting, this chapter looks at my perspective for various scenery of Yangmingshan throughout the year and associates with my paintings. Through artwork conventions—theme, material, size, creative process, and review on landscape paintings, I recapitulate the main ideas of this thesis as my conclusion.