The Transition from the Undefined to Narrative in Images
碩士 === 國立臺灣藝術大學 === 美術學系碩士班 === 99 === A certain kind of difference and offset that alters the focus of the gaze from daily reality to creative needs. Within a moving, camera-wielding body, on the one hand, it loosens the conventional system of perception towards images; on the other hand, it gradua...
| Main Authors: | , |
|---|---|
| Other Authors: | |
| Format: | Others |
| Language: | zh-TW |
| Published: |
2011
|
| Online Access: | http://ndltd.ncl.edu.tw/handle/40861963631395753185 |
| Summary: | 碩士 === 國立臺灣藝術大學 === 美術學系碩士班 === 99 === A certain kind of difference and offset that alters the focus of the gaze from daily reality to creative needs. Within a moving, camera-wielding body, on the one hand, it loosens the conventional system of perception towards images; on the other hand, it gradually builds up a possible mode of identification. The creation takes place and continues on within this constant change in perspectives.
|
|---|