Serial Clusters and Occasional Clumps:a Research into the Creation Frameworks of Shih Tsui-Feng

• Main Authors: Shih, Tsui-Feng, 施翠峰
• Other Authors: Chang, Kuang-Yi
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/81803351722980416031

碩士 === 國立臺灣藝術大學 === 美術學系 === 99 === The researcher first knocked out the door of creating via modern art with the guidance of Joseph Beuys’ (1921-1986) works. Hence, the research explores Beuys’ philosophy of creating as well as how his creation was executed and sums up a conclusion citing three creation process frameworks: “clusters and clumps composition of relations”, “occasional clumps composition of relations”, together with “complex and boundaries“. Furthermore, Beuys also utilized linguistic and rhetoric techniques in translating and expending his works into the realm of corresponding underlying environment. Such utilization offers the researcher an ideal example to refer to in his creation under the theme of “pigeon racing”. Pigeon racing activity pertinently symbolizes Taiwanese culture and thus provides a perfect topic for reimaging Taiwanese folkways. The creation doubles as a retro-reflection through which the researcher has acquired further understandings of Taiwanese culture and represented it in the creation.