| Summary: | 碩士 === 國立臺灣藝術大學 === 美術學系 === 99 === There are five major fields in this dissertation, literature, philosophy, psychology, pathology, and artistic knowledge. Extension of these aspects are done in this writing. By using the subject of “I” to feature a colloquial language, and to emphasize the existence of myself, the technique of using “I” is also showing the specialty of myself as an individual in this writing. Hope to find and construct the essence of myself and also to analyze and capture the character of “I”.
“My visual book – mouth memo", the creative perspective is to create by the personalized language and the nonlinear notes. Using the form of the memorandum is to show my works one by one, to regard the memory of the dental as a private vocabulary, and to translate the triggers of daily life into my own unique language. This paper is to explore myself, and hope that via the process I can inspire my own and mature myself.
Chapter One "Starting point" is mainly about the motivation, purpose, content and method of creating. And also explain the meaning of the memorandum, the concept of parasitism, and the artist’s horizon, meanwhile, extend the fields that the author is concerned about, such as themes, media, form, space, etc. Chapter Two “Windows” will explain the keywords, and add analyses and comparisons of the related works from other artists, then explain the similarities and differences. Chapter three "My visual book" is the studies and introduces of the contemporary series works, there are "the inner view ", "the boundaries of body memory ", and "Gap ". Finally I will make conclusions, self-expectations and future developments.
By gazing inward as the main the fulcrum of this argument, push the innumerable folds of the body and the life aside as to analysis and appreciate myself from outside in, find the real truth, and search the proof of the existence.
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