| Summary: | 碩士 === 國立臺東大學 === 進修部暑期體育碩士班 === 99 === This study aimed to probe into the organization, training and development profile of Song-Jiang Troupe in Xiamen Tongan and Kaohsiung Neimen. This study employed qualitative study, using data analysis and field investigation which summarized the information gathered integration, interpretation, research and analysis and concluded that:
1.Tongan Song-Jiang Troupe derived from Zheng Chenggong`s military training and tactical deployment. Danxi Song-Jiang Troupe integrated with Quanzhou Anxi LongJuan Song-Jiang Troupe for immigration factors; Zaoshui Song-Jiang Troupe was established up due to geographic factors; Huaxing Song-Jiang Troupe was set up by the formation of Zaoshui Song-Jiang Troupe. Kaohsiung Song-Jiang Troupe mainly originated from the temple circuit pilgrimage. Tongan and Neimen had the same conditions of the formation of Song-Jiang Troupe, such as the same race, belief, geographic conditions and living experiences.
2.The two parts of Song-Jiang Troupe not only served different gods but also had different celebrating time; however, they both had Opening Passage and Hall Appreciation. Danxi Song-Jiang Troupe had triennial Longjuan pilgrimage; Zaoshui Song-Jiang Troupe had its own village temple activities and it also coordinated with the Tongan festival performances; Huaxing and Neimen elementary school did not serve god and had Opening Passage and Hall Appreciation but managed by school sports team patterns. Neimen Song-Jiang Troupe always joined in the temple circuit pilgrimage of Neimen Zihjhu Temple and Neimen Nanhai Zihjhu Temple. Shun Sian Gong owned a vocational Song-Jiang Troupe, and it mainly performed for its own temple activities and invited to perform.
3.The organization operation of Song-Jiang Troupe between Tongan and Neimen: Huaxing School had two guidance teachers and one guidance instructor; DanXi and ZaoShui had a responsible person respectively; Neimen elementary school had three instructors; Neipu, Hengshan and Xiaowushan Song-Jiang Troupe had a master respectively; Shun Sian Gong had a leader and a mentor coach. Song-Jiang Troupe included two parts: one is the music staffs and the other one is performing staffs.
4.The clothing of Song-Jiang Troupe between Tongan and Neimen: Tongan had two kinds of color clothing, but Neimen had uniform color clothing. Danxi Song-Jiang Troupe owned old weapons, using iron pipe to replace wooden poles; Zaoshui had a wide variety of Song-Jiang Troupe weapons; Huaxing schools had its own existing Song-Jiang Troupe weapons. The Song-Jiang Troupe weapons in Neimen were similar, Xiaowushan Song-Jiang Troupe had lion props; Neipu had Water Margin characters dressing props; Hengshan had spear and iron bars as performance props. Drums were used as the single theme with gongs and cymbals accompaniment. Only Huaxing School using the music player.
5.For the tactical deployment of troops, both in Fujian and Taiwan Song-Jiang Troupe, the first flag people lead the Song-Jiang Troupe, making Cylindrical Array, Opening Four Gates, Sub-array, Centipede Array, Snake Array (Tornadoes Water) and Eight-Diagram Tactics. Tongan had Needle Array and Dongnanxibei Hit Array. Neimen had Tap Seven Steps, Step Nine, Circle chain Array, Step Array, Plum Blossom
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