Taiwan in indigenous people movie`s Taiwan indigenous people realize with the Chinese realizes

碩士 === 國立臺東大學 === 語文教育研究所 === 99 === As movies become a kind of expound mechanism, no matter what they stand for statement or they will be analyzed with post-colonialism, they include complicated ideology. Ideology is not only a statement but also the process of recurrence, symbol and persuasion. Al...

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Bibliographic Details
Main Authors: Pajuiling, 巴瑞齡
Other Authors: Zhou Qinghua
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/ngxsr4
Description
Summary:碩士 === 國立臺東大學 === 語文教育研究所 === 99 === As movies become a kind of expound mechanism, no matter what they stand for statement or they will be analyzed with post-colonialism, they include complicated ideology. Ideology is not only a statement but also the process of recurrence, symbol and persuasion. Although all the settings in the movies are designed by the director, there are still many questions in them. For example, what does the director want to express? Maybe he or she wants to show the differences between the ethnicity or publicize concepts of some religions. The aboriginal movies are analyzed to trace back the relationship between aborigines and movies in Taiwan. The productive tracks and performances of images are not only the main shaft in the analysis but used to discuss if the Hans-Aborigines consciousness could help the aborigines more new ways out. The movie is a media to turn images into script. Therefore, it can make descendants get more understanding about aborigines. At last, hopefully we could promote deeper understanding of ethnicity subject in language education, provide the references for transmission of cultures as well as the resources of ethnicity policy, and help to complete the ideas to shoot a film