| Summary: | 碩士 === 國立臺北教育大學 === 藝術與造形設計學系碩士班 === 99 === During the work created process, the conversion in thinking is not visible due to its abstract nature. The work is the final other side, I thus narrate it as concrete as possible through writing as follows.
This dissertation is divided into two parts: the first part is the work of the project - based on images, supplemented with text, establishing the ultimate conception through the practical practices and descriptions. The second part, meta-narratives (after art practices), is guided by the topic of my project "Line-made". Through the selection and arrangement of the text, I try to represent the invisible flow when thinking has been changed. Here, I provide another way of seeing- especially for the painting.
I briefly outlined the historical aspects of painting. But due to the emergence of photography which leading the transition of painting features, I focus on the time line and the visual surface of painting. Therefore, the thinking and the narrative in my works, the records of my working process and other attachments are allowing the thinking from this shore to the other side- the side of the work.
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