| Summary: | 碩士 === 國立臺灣師範大學 === 音樂學系在職進修碩士班 === 99 === Franz Schubert (1797-1828), born in overlapping periods of classical and romantic music, was the last composer in the classical period as well as the first people opening the door of the romantic period. His works consisted of reason and order of the classicism and also consisted of sensitivity and freedom of the romanticism. In addition to create a large amount of lieder, Schubert, who is regarded as the “king of lieder”, also leaded the development of lieder to reach the top and leaded lieder to have a place in the history of music. In 1823, according to the poetry anthology of Wilhelm Müller, Schubert created the first song cycle: Die Schone Mullerin, D.795. Furthermore, after two months, he created the Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin, which was base on the melody of the Trockne Blumen, the eighteenth song of Die Schone Mullerin, for Ferdinand Bogner, the honorary professor and flautist of Vienna Music Studio.
This thesis is a study about the Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”, by Franz Schubert(1797-1828). Chapter one the research motive and purpose. Chapter two is about the probation into Schubert’s life and his work styles. Chapter three is about the historical background of Schbert’s Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”. Chapter four is an analysis of the song “Trockne Blumen” and Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”. Chapter five is an interpretation of the Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”. Hope that based on the research of Schubert's Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”, readers can understand the importance and uniqueness of Schubert's flute work.
|
|---|
