Display of Audience’s Participation of Taiwanese Contemporary Art:2001-2010
碩士 === 國立臺中教育大學 === 美術學系碩士班 === 99 === This thesis probes into the display of audience’s participation. Sociology of art discusses the development of art in a location from three dimensions, namely the function and purpose of art production, the form of art production, and the reception of art. The...
Main Authors: | Huang, Ying-Jen, 黃瀅珍 |
---|---|
Other Authors: | Hsieh, Tung-shan |
Format: | Others |
Language: | zh-TW |
Published: |
2011
|
Online Access: | http://ndltd.ncl.edu.tw/handle/70701268780829051684 |
Similar Items
-
Understanding Audience Engagement in the Contemporary Arts
by: Pitts, Stephanie
Published: (2021) -
‘China’ on Display for European Audiences? The Making of an Early Travelling Exhibition of Contemporary Chinese Art: China Avantgarde (Berlin/1993)
by: Franziska Koch
Published: (2011-12-01) -
A Research of Art Museum Audience’s Experiences in Contemporary Art Guided Tours
by: Hsu Tien-hui, et al.
Published: (2005) -
Digital Engagement in a Contemporary Art Gallery: Transforming Audiences
by: Clare Harding, et al.
Published: (2019-07-01) -
The Audience Perception of Taiwanese: The Case of Taiwanese Films
by: LEE, PO-HAN, et al.
Published: (2017)