| Summary: | 碩士 === 國立屏東教育大學 === 中國語文學系 === 99 === In the Ming Dynasty, the research was not great demand about Li Shang- Ying’s(李商隱) poetry, there were just Shi Daw-Yuan(釋道源)and Chyan Long-Tit(錢龍惕) annotated it. Because the major thinking of porety was emphasizing the period of full literary grander in the Tang Dynasty, so that Li Shang-Ying’s poetry got a lower estimation. This paper has six chapter as follows：
Chapter one：to discuss the research about Li Shang-Ying between Taiwan and China, and to clarify the goal, range as well as methods of this paper.
Chapter two：according to the broad defination of ’’to Research the Comments of Chinese Porety”(《詩話學》)by Tasy Jenn-Chuu(蔡鎮楚), we know that Shi-Hua (詩話)is not only recording stories, but also appraising poetry, blaborating or examining an allusion, an origin.
Chapter three：to explore the comments in Ming Dynasty about the latter-Tang Dynasty, we can know the peculiarities of poetry seems decadent, such as lacking of spirit during this time.
Chapter four：to sum up that the comments in Ming Dynasty pay much attition to the history-chanting poetry and lyric poetry, rather than the things-describing poetry. Li Shang-Ying’s characteristics of writing has a strong flavor of romance, he always adding discussion of history to the poetry. Especially, Li Shang-Ying’s poetry is like Lyrics in rhyme(Chi,詞).
Chapter five：in history , Li Shang- Ying inherited the liteary style was named “Chyi-Liang”(齊梁體), and affected the liteary style was called”Shi-Kuen” .(西崑體).
Chapter six：in a nutshell, the literary position of Li Shang-Ying’s poetry is middle-class, but it even has a lower rank. And then, the most penetrating comments about poetry in the Ming Dynasty is using the historical opinion.
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