If Rules Exhist by Kai-ling Chang

• Main Authors: Kai-ling Chang, 張凱菱
• Other Authors: 謝鴻均
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/46902376774572592722

碩士 === 國立新竹教育大學 === 藝術教育與創作碩士班 === 99 === Abstract There will be three series of works in this study: ＜Body＞(Figure 6) series in 2006,＜False Order, Fales Disorder ＞series in 2007 (Figure 7-12), and ＜Rubbing＞series in 2008 （Figure 14-Figure 25、Figure39-Figure48）. During the process, I made a deep thought about personal stimulation and feelings as well as the environment influence. I also defined and established more clear images to express myself. My process of making art was based on materials, feelings and mood that presented by lines, style of drawing and color block. In the execution of the painting, I examined personal emotion and concept through the work and the writing In the first chapter, “Introduction”, I will present the motive of creating, as well as the content of the study. I will also define the meaning of “False”、”Rule”and ”Disorder” . In the second chapter, “The False And the Disorder in the state”, I will describe the meaning of the false order and the false disorder from the visual work which maintains a conflict on the picture. Through characters of lines and colors, all of the power will be collected on the painting in a harmonious way. Following this idea, in the third chapter, ”Rubbing”, I will discuss the unpredictable and recreation through the modern spiritual. Unpredictable state comes from the converted image in the subject. The unpredictable process provides a chance to increase the recreation. Through the rubbing method, I am able to hold my eyes and heart. In the fourth chapter, “The Analysis of Work”, I will discuss three series of work, including ＜Body＞, ＜False Order, Fales Disorder ＞,and＜Rubbing＞. By doing so, I understand myself in a deeper way. I could also able to establish personal images in the creation process. In the fifth chapter, “Conclusion”, I will make a conclusion. The rubbing method in my painting chains the making of painting and from which I’m able to establish my own visual language. Keywords: False, Order, Disorder, Rubbing.