Exposing objects and emotions –Lin Meng-I’s artistic creation narration

• Main Authors: Meng-I,Lin, 林孟儀
• Other Authors: Yi-Ching, Lin
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/12158249710872257871

碩士 === 國立彰化師範大學 === 美術學系 === 99 === This is a way of self-combing. Through the text written in the 2006 to 2011, I outlined my creation faces. I placed the possibilities of art in life, words, and writing. The three alternatives constitute a close and inseparable relationship. This article attempts to illustrate my points of creative thoughts, which are emotional alienation, skepticism, fuzzy state, convoluted appearance. And also discusses the creation of three axes, namely fire, watching, and experience. From content of artistic creation, the difference between them has been made, so is the focus of my creative thoughts. On the fire-axis, the burning phase in my work is assigned a description of its process: from gazing the essence of fire to the skeptical definition of burning in the real world, until its energy has been pulled out. On the watching-axis, filmmaking is coordinated with my personally position in the virtual world in order to discuss the temporal and spatial variation in the contemporary world. On the experience-axis, the correlation between personal life experiences and the creative act is discussed in an attempt to reveal about the real emotional appearance. By writing in creating, readers are provided an alternative to read the works of art, and I am clarified my role in art creation. This is the stagnation. Even though the unknown is lingering, faith prevails.