A Study of the Emotional Design for Music Sites

碩士 === 國立交通大學 === 傳播研究所 === 99 === Music has a gloriously long history being the most important media to comfort and express people mood as well as emotion. As digital technology quickly spreads through the internet, music nowaday has played an even critical role to entertain and please people in th...

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Bibliographic Details
Main Authors: Cho, Hsien Kuang, 卓賢洸
Other Authors: Lee, Jiun De
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/04087754175931033347
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Summary:碩士 === 國立交通大學 === 傳播研究所 === 99 === Music has a gloriously long history being the most important media to comfort and express people mood as well as emotion. As digital technology quickly spreads through the internet, music nowaday has played an even critical role to entertain and please people in their leisural life. Music lovers not only can purchase or hear online of all types of perfered musics, but also can carry on music searching and related knowledge sharing among peoples all by the advanced internet technology. Thus, how to design an appropriate interface for music websites to meet users’ emotional needs has become a keen issue for interaction designerse. The present study aims to adopt the concepts of emotional design ( Norman, 2004) in terms of visceral, behavioral, and reflective levels as the study theoretical framework to categorize the layout types of music website interfaces and explore the possible interface elements that might affect users’ emotions.. There were three study stages. At the first stage, according to user's emotional perceptions, the emotional styles of music homepage layouts were first categorized and discussed the visual elements that consititute the belonging styles. From a total of 95 music websites and through the mean of hierarchical cluster analysis, six emotional styles of music homepage layouts were identified - (1) Desolate, Boring, Dry (2) Technical Feeling, Cool, Majestic (3) Disorderly, Harsh, Frustrating (4) Ordinary, Regular, Unstimulating (5) Fresh, Festive, Exciting, and (6) Beautiful, Comfortable, Enjoyable. Further analysis was managed by using MDS (Multi-Dimensional Scaling) to illustrate the distributed maps of users’ emotion perceptions. The results showed the closed relationship with Russell and Pratt’s (1980) PAD model; the second study stage recruited subjects to participate an experiment to explore whether the different emotional layout styles might affect users’ actual usability performances. The experiment results revealed that the different emotional layout styles did significantly impact users’ usability performances (perceived usability); for the last stage, using the interview data collected from th first stage and pervious study results (Daniel, 2000; Newman & Landay, 2000; Norman, 2004; Powell, 2000; Yeh, 2007) as analysis framework, a questionnaire was developed to investigate the music website users’ ranks of the important degrees of visual design, usability / navigation design, functional / imformation content design, and image design that might impact three emotional design levels.