The Polymorohism of Moving Image: A Research on the Historical Transformations of Image from Cinema,Video to New Media Arts

• Main Authors: Wen-Ting Su, 蘇文婷
• Other Authors: Chiu, Kuo-Chun
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/86302169326836941682

碩士 === 崑山科技大學 === 視覺傳達設計研究所 === 99 === In the digital age, digital technologies have hugely expanded; therefore, digital images have constantly involved in everyone''s life. The artificial image seems as if it is a natural scene. Accordingly, we live in the world that is governed by visual representation. The moving image has repeatedly changed. This influence is very wide; for example, this not only changes the image acquisition method and the storage format but also changes the media types. In brief, a wave of technology comes rushing towards us at an unstoppable rate. This study mainly follows the context of development of the moving image to explore the effect of image on human beings. This thesis begins with the cave paintings and then extends to Cinema, Video Art, and New Media Art. More importantly, this thesis is focus on the moving image parts among the above three items. By analyzing the concept of image, one might find its own characteristics through theory and point of view. We can understand the technical relation and the concept of intersection among the movie, Video Art, and New Media Art by literature review. In this study, we compared the relationship between Cinema and Video Art; also, the point of view of Lev Manovich has been used to proof the relationship between Cinema, Video Art, and New Media Art. Finally, the New Media Art has been amply discussed and then I attempt to propose my future development and vision.