The Ru Ware beauty research of Celadon art– take “Hsiao Fang Pottery” as an example

• Main Authors: Hui-Yu Chiu, 邱惠玉
• Other Authors: Chang-Gu Hong
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/89276077192731419366

碩士 === 華梵大學 === 工業設計學系碩士班 === 99 === Celadon was created in early Chinese ceramics. Due to the glaze of Celadon is deep, implicit and has the texture of “Jade”, it is quickly captured the hearts of the Han nationality. In recent years, many of the pottery workers still continued to create new Celadon, even with the combination of different media to show a modern style. At the first, we will explore the appearance and development of celadon history in order to realize that course of the glaze, then, we are classify into the four points of raw material, visual preferences, the likes to jade and the culture of drink tea in order to refine on why Celadon could have long-stay. Ru Ware is the top of Celadon, therefore, to analyze encaustic, raw material, glaze, history about Ru Ware to explain how it can get Chinese royal preference. In Taiwan, the development of ceramic is not short, from classical pottery to modern pottery; the ceramic technology of Taiwan does not lose the other countries. Therefore, by the development history of Hsiao Fang Pottery to tell the era of Taiwan ceramics, and to understand the current status of kiln celadon technology in Taiwan. Compare the classical celadon of Hsiao Fang Pottery with the post-modern celadon of Zhang Ge-Ming, in order to convey inclusion and diverseness of celadon glaze. In the same kind of glaze, it can have different formation and texture because of the creative mind and emotional expression of the pottery workers.