A Study Of Jiaxing House

• Main Author: 王冠強
• Other Authors: 李國俊
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/86721866746929441165

碩士 === 佛光大學 === 藝術學研究所 === 99 === 　　This paper will be exploring the traditional repertoire of Beijing opera features and routine application of the program, including the sources for the development of the play structure, and in relation to specific applications, the actor's education, basic training and other issues. The classic "Jiaxing House" was chosen as a traditional example to analyze the source of the story, plot development, and structure of the play repertoire routines and its relationship to the evolution of the story. The goal is to organize a practical repertoire of basic training materials for the model and to establish a practical application for the required training and development for a theater actor. 　　This paper is divided into six chapters, starting with the analysis of opera repertoire. On the one hand is to explore the historical origins of traditional opera repertoire. On the other hand is to explore the differences in the play by analyzing the three major types that it contains, “changkaoxi”, “duandaxi”, and “shenguaixi”in order to develop a basic training for Beijing opera actors. The emphasis in "Jiaxing House" is the analysis of the “duandaxi”. In addition to introducing the history of “Jiaxing House”, the main point is to analyze the structure of the fight and opening scenes. I will also offer my own personal experiences and practical thoughts derived from my own experiences with the rehearsal process. Furthermore I will try to determine the essence of the play and its specific value by providing evidence from senior artists and theater actor interviews. Finally, by presenting my own opinion and through my research of this play, I hope to be able to organize a theory that encompasses both the fighting and the practical significance of this play.