The Interpretation and Research of Alexander Scriabin The Twenty-Four Preludes, Opus 11

• Main Authors: Yu-Wen yen, 嚴玉雯
• Other Authors: Hua-Hui Tseng
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/87vkcu

碩士 === 台南科技大學 === 音樂研究所 === 98 === Articulation, meaning tone movement and rhythm, is a vital issue in performers. Also, it affects the composer’s expression about the rhythm and melody of interaction from the composers, performers, and audiences’ interaction. Timothy M. Walker (2004) has opinions about “what is the articulation” that is from melody, rhythm, harmony and tone color, so he defines articulation in three points: (a) performance instrument, (b) expressional types, (c) beat location. The purpose of this study is to discusses some of the influences of Alexander Scriabin 24 piano preludes, Op. 11, and Frédéric Chopin’s Preludes, Op. 28, by looking at their personal backgrounds, comparing how each composer uses the language of rhythm, and melody. Using the idea and method of the interpretive research to discover the sound-colors, atmosphere, and mobility of music in the twenty-four preludes, Op. 11 by Alexander Scriabin. In addition, this study will explore some creative ideals of multiple relationship between the twenty-four preludes, Op. 11 by Alexander Scriabin and Frédéric Chopin’s Preludes, Op. 28. The result of this study will help the piano performer learn how to express emotions and analyze motivation of theory.