The Analysis and Vocal Interpretation of the “Mad scene” in Donizetti’s Opera“Lucia di Lammermoor”

碩士 === 台南科技大學 === 音樂研究所 === 98 === Drama Lucia di Lammermoor of Giaetano Donizetti is the classical genre of the nineteenth century Italian romance drama and it is ended with the tragedy episode in a format of Opera Seria. Within the work, the third scene Mad Scene is the classical repertoire of Col...

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Bibliographic Details
Main Authors: Fang-Hsuan Kan, 甘芳嫙
Other Authors: 曹圓
Format: Others
Language:zh-TW
Published: 2009
Online Access:http://ndltd.ncl.edu.tw/handle/70089239331855543593
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Summary:碩士 === 台南科技大學 === 音樂研究所 === 98 === Drama Lucia di Lammermoor of Giaetano Donizetti is the classical genre of the nineteenth century Italian romance drama and it is ended with the tragedy episode in a format of Opera Seria. Within the work, the third scene Mad Scene is the classical repertoire of Coloratura Soprano. In order to study and exam the techniques of Bel Canto, the author categorizes and elaborates ten different ways of singing in her dissertation, being based on this feature. Mad Scene is a stereotype of Scena ed Aria, immediately following by Cabaletta, which is dissected into sixteen parts by the author in efforts to research, analyze and interpret its ways of performance. Callas , the famous Coloratura Soprano of mid-twentieth century, revived the Italian style of Bel Canto and with the ensuing contribution of Sopranos as Sutherland, Gruberova, Sumi Jo, this genre of singing prevails. Then, in the end, the author compares their respective styles of delivering Mad Scene. Their application of Coloratura elaborated tunes not only presents the maturity of singing skills but provides assistance to whoever is interested in this field and suggestions to promising teachers as well.