Summary: | 碩士 === 國立臺北藝術大學 === 博物館研究所碩士班 === 98 === An earthquake destroyed an one hundred years old house. For the house, it’s not only a death but also a resurrection chance. In the joint efforts of family and community for four years, the house finally rebuilding in the name of “Tu-Niu Hakka Museum” and “Liu’s Family House”. Tu-Niu Hakka Museum of development and molding process, showing the specific local cultural which has a unique understanding of concept for the museum exhibits. The premises let house different from other museums, but rather ”Living Hakka Museum” to define themselves.
In this context, the Tu-Niu Hakka Museum to showcase the concept of presentation and representation of time, different from most museum curators the framework discussed issues, including the implicit concept of time not only from the analysis of the general way of thinking and understanding. In other words, the study of the time concept involved in local social and cultural groups. The scope of time concept study is not only in the chronological, linear or cyclic. In this case, time concept implicates in the Liu family''s ancestral rituals and offerings, house and genealogy - many forms of "objects", in the representation is the place for the past, history and self-identity and the different interpretations and definitions for the time.
Museum exhibition text often to writes in linear concept of time, or show other culture in timeless, so that objects lost the original time context while into the museum and collection system. Concept of time is not something more than the nature of the discussions, but by this to think objects in different socio-cultural reflection presented in the local / ethnic characteristics, in order to further understand the presentation and representation of time concept significance in the culture.
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