| Summary: | 碩士 === 國立臺北藝術大學 === 美術創作碩士班油畫組 === 98 === This paper aims to discuss the personal creation concepts and varied states of the researcher. Unlike most academic theses, the researcher attempts to unfold one’s own research method, and provides descriptive explanations of the varied states of mind during creation. Chapter 1 describes a framework of creative attitude and initial motives. Chapter 2 displays how daily living becomes the subject of imagination, with example works of two directors, Louis Bunuel and Yasujiro Ozu, and one writer, Roland Barthes, in order to present a creative context. Chapter 3 explores the formation of creation, how the researcher uses this frame with daily creative sources of paintings and photographic works, and the similarities and differences between the two media. Chapter 4 looks at Eventless Moments; while Chapter 5 presents conclusions and directions for further study.
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