Existence and Transformation－Images of Mountains in Chinese Ink Painting

• Main Authors: Chen-Hua Li, 李承樺
• Other Authors: Hsi-Chuan Liu
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/494p88

碩士 === 國立臺北藝術大學 === 美術創作碩士班在職專班 === 98 === Chinese ink painting is a unique visual experience particular to the Orientals. The challenge of confronting traditional Chinese painting methods and imaging structures, further expanding this artistic language, and combining traditional painting styles with Huang Bin-Hong''s transformation of contemporary Chinese ink creations, has greatly influenced my creativity and encouraged me to explore new artistic horizons. Maintaining the spirit of Chinese ink, building upon this technique while integrating Western abstract expressionism, I choose to present my artistic sentiments with diversity while upholding harmony. In the field of painting skills, I utilize a variation of cursive lines to transform mountains and branches to a simple yet strong depiction. My attempt to diverge from traditional Chinese ink painting has become the main structure of my art pieces. My dissertation consists of the following: Chapter 1 – Creative background, motive, and method. Chapter 2 – Connecting Chinese ink painting styles and structures with contemporary American abstract presentation. Chapter 3 – The beauty of Chinese calligraphy, utilizing cursive style to present Chinese ink creations. Chapter 4 – The comparison of various painting paper and brushes, and the effects on artistic presentation. Chapter 5 – Commentation on art pieces, discussion of artistic creation, style and presentation. Chapter 6 – Conclusion, personal philosophy and thoughts about Chinese ink creations.