The Analysis and Performing Collaboration of Ravel's Sonata for Violin and Piano

碩士 === 國立臺南藝術大學 === 鋼琴伴奏合作藝術研究所 === 98 === Abstract The paper discussed “Sonata for Violin and Piano” composed by famous Maurice Ravel in his late age. It was also his last chamber work including a string instrument. In the music, Ravel emphasized horizontal melodic lines, the independency of each...

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Bibliographic Details
Main Authors: Tzu-Ying Hsu, 許慈纓
Other Authors: Shih-Hsing Chang
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/63565966367337383210
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Summary:碩士 === 國立臺南藝術大學 === 鋼琴伴奏合作藝術研究所 === 98 === Abstract The paper discussed “Sonata for Violin and Piano” composed by famous Maurice Ravel in his late age. It was also his last chamber work including a string instrument. In the music, Ravel emphasized horizontal melodic lines, the independency of each voice, various rhythmical motives and applied some characteristics of Jazz and Blues. It reflected what a period of mixture of Neo-Classicism and popular Jazz Ravel was in, and how much he took care of contemporary styles. The author discussed four matters in this paper:(1)the background of Ravel and his general music style,(2)the important music trends influenced Ravel in the early 20th century, such as Jazz and Blues,(3)the composing background of “Sonata for Violin and Piano” and its musical analysis,(4)the interpretation and performing techniques of this work. Through the research and writing this paper, the author wished to help herself and readers understand Ravel his music language better so as to interpret the sonata with correct viewpoints and certain authority.