泰勒曼《為中音木笛與數字低音所寫的降E大調教學奏鳴曲，TWV41:C3》之作品分析與詮釋探討

• Main Authors: Lin Wan-Hui, 林婉慧
• Other Authors: Jing-Hui Chen
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/95000651203099787732

碩士 === 臺北市立教育大學 === 音樂學系教學碩士學位班 === 98 === Georg Philpp Telemann ( 1681-1767 ) was a famous German musician in the late Baroque period. Not only had he full understanding of the characteristic of Recorder but also performed it with excellent skill. His works, the Twelve Methodical Sonata, were originally composed for the performance of flute, violin and basso continuo. Soprano Recorder could be directly applied to flute scores, which was initially written by Telemann in Baroque period when one score could be used for the performances of different instruments. In this dissertation, the Methodical Sonata in E-flat Major will be studied and analyzed. This work has been transposed from its original key of C Major Soprano Recorder to E flat Major to fit the Alto Recorder. In light of the values of works, the Twelve Methodical Sonata was highly regarded as the paragon of Ornaments in Baroque period. The most distinguishing feature of this masterpiece lies in Telemann’s edition of Ornaments for adagio movement in person, which has triggered different ideas about the art of ornament for music enthusiasts. This dissertation contains five Chapters. Chapter One presents research motivation, purposes and research procedure. Chapter Two explores the background of Baroque period as well as its musical character. Furthermore, the important trait of Recorder, the contributions, musical styles of Telemann and the significant value of the Twelve Methodical Sonata are also included in the analysis. Chapter Three analyzes the Methodical Sonata in E-flat Major for Alto Recorder and basso continuo, focusing on the traits of tonality, musical form, the methodical of music movements and basso continuo. Chapter Four, based on the previous discussion in Chapter Two and Three, provides the researcher’s interpretation of the work. In Chapter Five, conclusions and suggestions are stated based on the content of the previous chapters.