The study of Taiwan online novels(1996-2009)

碩士 === 臺北市立教育大學 === 中國語文學系碩士班 === 98 === The maturity of computers and Internet technology lays a solid foundation for the popularity of online novels. From heavy to light, and from BBS to WWW, various media and technologies cause slight difference to the interaction between online novels and thei...

Full description

Bibliographic Details
Main Authors: Wei Tsen-Ling, 魏岑玲
Other Authors: 鄭穎
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/93529942393583844910
id ndltd-TW-098TMTC5045015
record_format oai_dc
spelling ndltd-TW-098TMTC50450152015-10-13T18:35:36Z http://ndltd.ncl.edu.tw/handle/93529942393583844910 The study of Taiwan online novels(1996-2009) 臺灣當代網路小說研究(1996-2009) Wei Tsen-Ling 魏岑玲 碩士 臺北市立教育大學 中國語文學系碩士班 98 The maturity of computers and Internet technology lays a solid foundation for the popularity of online novels. From heavy to light, and from BBS to WWW, various media and technologies cause slight difference to the interaction between online novels and their readers. More than ten years have passed since the first substantial online novel was published in Taiwan in 1998. During this period, a number of writers win their fame by writing online novels. Their works often become a hit and are supported by many readers, bringing a fad of mimicking their writing topics. The study is aimed at analyzing the best-selling works of seven writers so as to conclude the change of topics and writing features of Taiwan online novels within this decade. The study is hoping to further discuss how these texts relate to contemporary social phenomena such as the description of social events, thoughts concerning religions, and the dimensions of gender relationship. After novels are blogged on the Internet, controversial remarks never stop appearing. If compared to the serious contents of pure literature, online novels are indeed too light and too casual. Nevertheless, the most fantastic part of online novels is not the contents, but a free environment for amateurs to create their own works. The line between readers and writers is blurred and reading is re-defined. The coming of ‘reader as writer’ era marks that the autonomy of readers is enhanced in terms of reading. They have the power to determine if certain literary works shall be published. Through sharing reading online, exchanging remarks and mimicking writing topics, readers start to shape their personal values in the community of online novels in pursuit of the recognition of being seen. While encouraging authors with their words, readers may just turn themselves into another creator at the same time. 鄭穎 2010 學位論文 ; thesis 124 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 臺北市立教育大學 === 中國語文學系碩士班 === 98 === The maturity of computers and Internet technology lays a solid foundation for the popularity of online novels. From heavy to light, and from BBS to WWW, various media and technologies cause slight difference to the interaction between online novels and their readers. More than ten years have passed since the first substantial online novel was published in Taiwan in 1998. During this period, a number of writers win their fame by writing online novels. Their works often become a hit and are supported by many readers, bringing a fad of mimicking their writing topics. The study is aimed at analyzing the best-selling works of seven writers so as to conclude the change of topics and writing features of Taiwan online novels within this decade. The study is hoping to further discuss how these texts relate to contemporary social phenomena such as the description of social events, thoughts concerning religions, and the dimensions of gender relationship. After novels are blogged on the Internet, controversial remarks never stop appearing. If compared to the serious contents of pure literature, online novels are indeed too light and too casual. Nevertheless, the most fantastic part of online novels is not the contents, but a free environment for amateurs to create their own works. The line between readers and writers is blurred and reading is re-defined. The coming of ‘reader as writer’ era marks that the autonomy of readers is enhanced in terms of reading. They have the power to determine if certain literary works shall be published. Through sharing reading online, exchanging remarks and mimicking writing topics, readers start to shape their personal values in the community of online novels in pursuit of the recognition of being seen. While encouraging authors with their words, readers may just turn themselves into another creator at the same time.
author2 鄭穎
author_facet 鄭穎
Wei Tsen-Ling
魏岑玲
author Wei Tsen-Ling
魏岑玲
spellingShingle Wei Tsen-Ling
魏岑玲
The study of Taiwan online novels(1996-2009)
author_sort Wei Tsen-Ling
title The study of Taiwan online novels(1996-2009)
title_short The study of Taiwan online novels(1996-2009)
title_full The study of Taiwan online novels(1996-2009)
title_fullStr The study of Taiwan online novels(1996-2009)
title_full_unstemmed The study of Taiwan online novels(1996-2009)
title_sort study of taiwan online novels(1996-2009)
publishDate 2010
url http://ndltd.ncl.edu.tw/handle/93529942393583844910
work_keys_str_mv AT weitsenling thestudyoftaiwanonlinenovels19962009
AT wèicénlíng thestudyoftaiwanonlinenovels19962009
AT weitsenling táiwāndāngdàiwǎnglùxiǎoshuōyánjiū19962009
AT wèicénlíng táiwāndāngdàiwǎnglùxiǎoshuōyánjiū19962009
AT weitsenling studyoftaiwanonlinenovels19962009
AT wèicénlíng studyoftaiwanonlinenovels19962009
_version_ 1718035047620018176