The Spirit of Mountain
碩士 === 東海大學 === 美術學系 === 98 === The thesis focuses on study of paintings of “Map of Spirit of Mountain” (Shangui map, 山鬼圖) of past dynasties, echoed the development of individual creation which inspirits the author to perceive the creativity subjects and to derive the connotation and the nutrien...
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ndltd-TW-098THU002330212015-10-13T18:16:15Z http://ndltd.ncl.edu.tw/handle/92320836995168971455 The Spirit of Mountain 山鬼 Tseng, Tzu-Ting 曾資婷 碩士 東海大學 美術學系 98 The thesis focuses on study of paintings of “Map of Spirit of Mountain” (Shangui map, 山鬼圖) of past dynasties, echoed the development of individual creation which inspirits the author to perceive the creativity subjects and to derive the connotation and the nutrients required for creation. Chapter II searches and records the original text and interpretation in Chuci(楚辭) the Nine Songs (Jiuge,九歌), which analyzes the customs of Chu(楚) on advocating shaman(wu ,巫) and worshipping nature; moreover, the loyal patriotic image of Qu Yuan(屈原), and their impacts and influences on ancient Chinese artists whiling shaping Shangui. In Chapter III, the author studied and explored the image of Spirit of Mountain (Shangui,山鬼)based on assembling and classifying of present masterpieces on “Map of Spirit of Mountain” . The following chapter proceeds from the origin of creativity, illustrating authors’ imaginative concepts and ideations in this serial of works. Chapter V discusses the author’s self contradiction and incompatible; moreover, it presents the relation between author and work serial. Chapter VI illustrates authors’ distinguishing features of signs, forms, techniques and textures presented in these work pieces. Last but not least, Chapter VII shows thirteen pieces of works the author created explaining its interpretation of each production. 倪再沁 2010 學位論文 ; thesis 80 zh-TW |
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Others
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碩士 === 東海大學 === 美術學系 === 98 === The thesis focuses on study of paintings of “Map of Spirit of Mountain” (Shangui map, 山鬼圖) of past dynasties, echoed the development of individual creation which inspirits the author to perceive the creativity subjects and to derive the connotation and the nutrients required for creation.
Chapter II searches and records the original text and interpretation in Chuci(楚辭) the Nine Songs (Jiuge,九歌), which analyzes the customs of Chu(楚) on advocating shaman(wu ,巫) and worshipping nature; moreover, the loyal patriotic image of Qu Yuan(屈原), and their impacts and influences on ancient Chinese artists whiling shaping Shangui.
In Chapter III, the author studied and explored the image of Spirit of Mountain (Shangui,山鬼)based on assembling and classifying of present masterpieces on “Map of Spirit of Mountain” .
The following chapter proceeds from the origin of creativity, illustrating authors’ imaginative concepts and ideations in this serial of works.
Chapter V discusses the author’s self contradiction and incompatible; moreover, it presents the relation between author and work serial.
Chapter VI illustrates authors’ distinguishing features of signs, forms, techniques and textures presented in these work pieces.
Last but not least, Chapter VII shows thirteen pieces of works the author created explaining its interpretation of each production.
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author2 |
倪再沁 |
author_facet |
倪再沁 Tseng, Tzu-Ting 曾資婷 |
author |
Tseng, Tzu-Ting 曾資婷 |
spellingShingle |
Tseng, Tzu-Ting 曾資婷 The Spirit of Mountain |
author_sort |
Tseng, Tzu-Ting |
title |
The Spirit of Mountain |
title_short |
The Spirit of Mountain |
title_full |
The Spirit of Mountain |
title_fullStr |
The Spirit of Mountain |
title_full_unstemmed |
The Spirit of Mountain |
title_sort |
spirit of mountain |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/92320836995168971455 |
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