Living poetry with rich colors painting art Li Yuan Wu Creating Concepts and Style of Asian Gouache

• Main Authors: Li Yuan Wu, 吳麗媛
• Other Authors: 詹前裕
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/14002344856860651108

碩士 === 東海大學 === 美術學系 === 98 === Summary Given the artist’s painting approaches, this thesis emphasizes on reviewing the behavioral process of painting style and affective creation through deliberating personal poetry and inward empathy, as well as studying the spiritual implication. It serves as a theoretical foundation between poetry and painting to analyzing psychological concepts and the origins of ideas. Chapter I explores the motif of spiritual creation through literature as the origins of searching for aesthetics and prospect interpretation. In addition, it examines the procedures of studying motivations, purposes, and accesses of painting by relishing poetry and interpreting emotions and ideas in poems of self-creation. The study of literature, dance, poetry and music brings emotional empathizing when the mind dictates the circumstance, which founds a basis for Chapter II expressing the poetic grace in literature by looking for the outlet of paintings. The painting approaches and inspirations relating to the theme “living poetry with rich colors” holds profound emotions in poetry; such a theme brings fine compositions and painting thoughts of real life into the inward of artworks. Relevant demonstrations such as empathization, phenomenology, hermeneutics and metaphor are also taken into account as the basis of in-depth academic theories. Aesthetics and interpretation of artistic conception influenced by literature also inspire the conceptual process of painting through the shift from poetic feelings. Following with the discussions on viewpoints of literature and paintings from several artists and poets, this chapter analyzes the conceptual beginning of artworks under the effect of literature. In Chapter III, the creator transforms life into an inception of creation penetrating through the way of life. The analysis of varied artistic perception and attributes of inner thoughts is also presented by extracting spiritual and painting perspectives from real-life experiences. Such an analysis describes both the conception of mental state and style of creation themes, which assembles a personal painting creation. The initiative of painting is found in poetic literature indicated in Chapter IV. “Poetry is a mirror reflecting to life, and that all circumstances are counted in while all prospects in paintings” is the artistic conception of my paintings, and that will make an advanced and better creation in the future.