Mainland China Propaganda painting research

• Main Authors: Lee meng-kang, 李孟剛
• Other Authors: 翁美娥 許坤成 翁美
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/55604867507295549691

碩士 === 中國文化大學 === 藝術研究所美術組 === 98 === The early strength of the Chinese Communist Party weaker than the KMT government, began a large number of non-formal, non-military means, is to the text declaration of war psychological war to establish a "united front" to assist less than armed struggle, and Propaganda painting with simple and easy to understand, wood prints, paintings, and actively combat the KMT government's incompetence and shortcomings, and very effective. 1966, "Cultural Revolution" rapid development in China, spread all over the mainland. At this point, an increase to create a model information and education Propaganda painting and Propaganda painting generated a lot of writing, pictures with text, simple and easy to understand, as propaganda at the time the leaders of the political activities of the guidance task. Works of art during the Cultural Revolution was to show social, collective, fashion, real visual interest, creating the ideal social and political realism personified in a standard model after. Although the Propaganda painting to publicize the main features, but still makes art and skill of interesting. As a result, hidden in Propaganda painting after the text and art and political implications of the development process is to explore this thesis, the main reason. In addition to use art as a tool for the spirit and techniques, is that the Government must not ignore the idea, because the spirit of power is derived from the human senses, the use of this art is also the main focus of this paper.