| Summary: | 碩士 === 國立臺灣藝術大學 === 美術學系 === 96 === This is a creation paper. It is mainly about Wang Chienchih " Through the body's perception of the existence of the boundary " series of works, and multi-reference collection of art of historical context、 "local"、 "urbanization" and other related documents as the argument based on paper. After sorting through the analysis of induction, he tries to start from painting "framework issues", extending a sense of physical presence of the border and through the phenomenological observation and human geography of Contemplative Living Conditions and inspect the main body awareness.To resolve the people and the local field dependence between relations, to clarify the source and path, or even to infer the possible development of clarifying expectations, he dedicates himself to continuous exploration and in-depth research. He also believes that through all the efforts, people can understand he creative thinking.The subject can be divided into three stages：1. To explore the painting's own problems with the media, frame, space, representation and other related issues. To analyze the frame with the film projector that produce a false light and shadow boundary model, the interaction infiltration and differences.2.The framework to transfer the painting to life, crossing the border, to clarify the space, place, landscape differences.3. To clarify the definition and function of the city, to explore the process of urbanization and industrialization, and to find out what kind of impact the human residence are facing, and how they are forced to become urban nomads in order to adjust the Rheological evolution of the world.
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