排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例

碩士 === 國立臺灣師範大學 === 民族音樂研究所 === 98 === According to historical documents, some of Austronesian people have been using the nose flutes. It is particular that the nose flutes which are used by Paiwan and Rukai in Taiwan’s indigenous belong to the uncommon double nose flute system, and the Paiwan is es...

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Main Author: 李佳玟
Other Authors: 錢善華
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/75135126672090626508
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spelling ndltd-TW-098NTNU57500072016-04-22T04:23:48Z http://ndltd.ncl.edu.tw/handle/75135126672090626508 排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例 李佳玟 碩士 國立臺灣師範大學 民族音樂研究所 98 According to historical documents, some of Austronesian people have been using the nose flutes. It is particular that the nose flutes which are used by Paiwan and Rukai in Taiwan’s indigenous belong to the uncommon double nose flute system, and the Paiwan is especially zealous to promote and continue the tradition. However, as the times change, the nose flute doesn’t play the same role as before in Paiwan’s life anymore. Due to “Paiwan nose and mouth flutes preservation and inheritance project” and “Paiwan nose and mouth flute skill preservation project” directed by HU, Tai-Li, in 1990s, a researcher in Academia Sinica Institute of Ethnology, Paiwan’s mouth flutes and nose flutes could revive again. The latter project invited CHIEN, Shan-Hua and LAI, Chao-Cai as co-projectors for further research in nose flutes. During the promotion, LAI, Chao-Cai made some improvement. He made new double nose flute and single-pipe nose flute based on Western scale. Furthermore, in the doctoral thesis “A study of Taiwan indigenous instruments” of a Chinese scholar YE, Hung-Chi, he admired the beauty and the uniqueness of the Paiwan nose flute music. Nevertheless, he observed a crisis of the nose flute heritage. In 2008, after discussing with Mainland flute-making master, CHANG Duen-Ming, YE made a new six-hole type double nose flute based on Equal Temperament. Nowadays the achievement of indigenous music studies is extremely bountiful, while we still have to make progress in instrumental aspect. Therefore this thesis is focus on the representative instruments of Paiwan - nose flute. Which discussed the formation and musical features differences between the new and the traditional nose flutes. In addition, the context of both in values of culture, society and music are discussed. It is expected that this proposal could boost the promotion and the transmission of nose flute in the future. 錢善華 2010 學位論文 ; thesis 227 zh-TW
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description 碩士 === 國立臺灣師範大學 === 民族音樂研究所 === 98 === According to historical documents, some of Austronesian people have been using the nose flutes. It is particular that the nose flutes which are used by Paiwan and Rukai in Taiwan’s indigenous belong to the uncommon double nose flute system, and the Paiwan is especially zealous to promote and continue the tradition. However, as the times change, the nose flute doesn’t play the same role as before in Paiwan’s life anymore. Due to “Paiwan nose and mouth flutes preservation and inheritance project” and “Paiwan nose and mouth flute skill preservation project” directed by HU, Tai-Li, in 1990s, a researcher in Academia Sinica Institute of Ethnology, Paiwan’s mouth flutes and nose flutes could revive again. The latter project invited CHIEN, Shan-Hua and LAI, Chao-Cai as co-projectors for further research in nose flutes. During the promotion, LAI, Chao-Cai made some improvement. He made new double nose flute and single-pipe nose flute based on Western scale. Furthermore, in the doctoral thesis “A study of Taiwan indigenous instruments” of a Chinese scholar YE, Hung-Chi, he admired the beauty and the uniqueness of the Paiwan nose flute music. Nevertheless, he observed a crisis of the nose flute heritage. In 2008, after discussing with Mainland flute-making master, CHANG Duen-Ming, YE made a new six-hole type double nose flute based on Equal Temperament. Nowadays the achievement of indigenous music studies is extremely bountiful, while we still have to make progress in instrumental aspect. Therefore this thesis is focus on the representative instruments of Paiwan - nose flute. Which discussed the formation and musical features differences between the new and the traditional nose flutes. In addition, the context of both in values of culture, society and music are discussed. It is expected that this proposal could boost the promotion and the transmission of nose flute in the future.
author2 錢善華
author_facet 錢善華
李佳玟
author 李佳玟
spellingShingle 李佳玟
排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例
author_sort 李佳玟
title 排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例
title_short 排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例
title_full 排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例
title_fullStr 排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例
title_full_unstemmed 排灣族傳統鼻笛音樂研究及現況之探討--以Butsul亞族為例
title_sort 排灣族傳統鼻笛音樂研究及現況之探討--以butsul亞族為例
publishDate 2010
url http://ndltd.ncl.edu.tw/handle/75135126672090626508
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