動靜之間-圖案在動畫中的應用
碩士 === 國立臺灣師範大學 === 美術學系 === 98 === On the Information Age today, for using large of message of the communication and the information is quickly, it’s necessary to require vivid and direct more than with literalness and the form such as using patterns for visual representation has become an importan...
Main Author: | |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Online Access: | http://ndltd.ncl.edu.tw/handle/03779348404834339925 |
id |
ndltd-TW-098NTNU5233012 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-098NTNU52330122015-10-13T13:43:21Z http://ndltd.ncl.edu.tw/handle/03779348404834339925 動靜之間-圖案在動畫中的應用 溫心忻 碩士 國立臺灣師範大學 美術學系 98 On the Information Age today, for using large of message of the communication and the information is quickly, it’s necessary to require vivid and direct more than with literalness and the form such as using patterns for visual representation has become an important means of communication. For animation, it’s a basic to operate the interaction between the images and the visual perception. No matter what kind of the composition of the visual form, it always connected the abstract feelings of the viewer’s psychology. Together with the composition of the animation is also a kind of shape elements changes in the timeline and the explored in the visual painting is mainly in the composition of the shape. In addition, people usually giving a simplified pattern with symbolic. Patterns discuss in this article is constituted by a point, line, and plane objects. Patterns both with a complete form and a function as an object, by analyzing the pattern of symbolic and the interaction with visual perception, it could be further explored the process of the possible applications between the static patterns into dynamic animations. 林達隆 學位論文 ; thesis 81 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 國立臺灣師範大學 === 美術學系 === 98 === On the Information Age today, for using large of message of the communication and the information is quickly, it’s necessary to require vivid and direct more than with literalness and the form such as using patterns for visual representation has become an important means of communication. For animation, it’s a basic to operate
the interaction between the images and the visual perception. No matter what kind of the composition of the visual form, it always connected the abstract feelings of the viewer’s psychology.
Together with the composition of the animation is also a kind of shape elements changes in the timeline and the explored in the visual painting is mainly in the
composition of the shape. In addition, people usually giving a simplified pattern with symbolic. Patterns discuss in this article is constituted by a point, line, and plane
objects.
Patterns both with a complete form and a function as an object, by analyzing the pattern of symbolic and the interaction with visual perception, it could be further
explored the process of the possible applications between the static patterns into dynamic animations.
|
author2 |
林達隆 |
author_facet |
林達隆 溫心忻 |
author |
溫心忻 |
spellingShingle |
溫心忻 動靜之間-圖案在動畫中的應用 |
author_sort |
溫心忻 |
title |
動靜之間-圖案在動畫中的應用 |
title_short |
動靜之間-圖案在動畫中的應用 |
title_full |
動靜之間-圖案在動畫中的應用 |
title_fullStr |
動靜之間-圖案在動畫中的應用 |
title_full_unstemmed |
動靜之間-圖案在動畫中的應用 |
title_sort |
動靜之間-圖案在動畫中的應用 |
url |
http://ndltd.ncl.edu.tw/handle/03779348404834339925 |
work_keys_str_mv |
AT wēnxīnxīn dòngjìngzhījiāntúànzàidònghuàzhōngdeyīngyòng |
_version_ |
1717741281411596288 |