“ Feminine Self-awakening, Transformation, and Rebirth”—The Creation Discourse of Chao-Hsia, Wang

• Main Authors: Chao-hsia Wang, 王昭霞
• Other Authors: none
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/11939911822178909138

碩士 === 國立臺南大學 === 美術學系視覺藝術教學碩士班 === 98 === This study presents the introspection, experiments, and processes of realization of the author''s works during her postgraduate study period from 2006 to 2009. Through a series of works constructed by life experiences, scenarios and objects, this study explored the spiritual awakening of women growing under oppressions and seeking meanings to their lives. This study used methods of retrospection, introspection, analysis, and induction to analyze the relationship between the author’s life course and the turning of her art creations. From the angles of contemporary aesthetics, feminism and progress of art history, the author’s thread of thought running through her works as a whole is explored. The study is composed of three parts (five chapters). The first part provides an insight into feminine roles and feminine self-consciousness in the culture of art and discussed the body language and feminine consciousness presented in the works of female artists of modern times. The second part explored the origin and multi-development of creations, media and form changes though the author’s memory and physical sensation. The third part examined the inner and outer status of the realization of artistic creations and the turnings of the creations that come along the desires of the subject. Through writing and discussion on art creations, this study expects that a clear thread of thought of personal works can be constructed and that inner desires and the essence of the author herself can be highlighted. It is also hoped that this study will be inspiring for future research on writing creations.