From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006

碩士 === 國立臺南大學 === 戲劇創作與應用學系碩士班 === 98 === The research is focus in six “Script Award of Taipei Children Art Fetival 2002-2006” adapted from a published story,how to transfer the elements including story,role,language and theme to the dramatic elements:plot,character,dialogue and the story theme can...

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Main Authors: Pau-line Hsu, 許寶蓮
Other Authors: none
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/54643801357024085883
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spelling ndltd-TW-098NTNT55100042015-10-13T18:35:35Z http://ndltd.ncl.edu.tw/handle/54643801357024085883 From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006 從故事到劇本—以「台北市兒童藝術節優良劇本徵選」2002-2006得獎作品為例 Pau-line Hsu 許寶蓮 碩士 國立臺南大學 戲劇創作與應用學系碩士班 98 The research is focus in six “Script Award of Taipei Children Art Fetival 2002-2006” adapted from a published story,how to transfer the elements including story,role,language and theme to the dramatic elements:plot,character,dialogue and the story theme can connect with the morality of children,and make the scenery full of imagination.Exam by the of playwright’s rules of Aristotle’s Poetics and the cognition development theory of Piaget. The result of this research is the writer rarely changed the story’s structure;the main character all have the special situation;most of the dialogue “tell” the reason why of the event;the theme fit the age above 10 and the action fit the age under 7;the writing of stage scene can shown the writer familiar or not to the stage tech including audio and vedio. none 王友輝 2010 學位論文 ; thesis 136 zh-TW
collection NDLTD
language zh-TW
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description 碩士 === 國立臺南大學 === 戲劇創作與應用學系碩士班 === 98 === The research is focus in six “Script Award of Taipei Children Art Fetival 2002-2006” adapted from a published story,how to transfer the elements including story,role,language and theme to the dramatic elements:plot,character,dialogue and the story theme can connect with the morality of children,and make the scenery full of imagination.Exam by the of playwright’s rules of Aristotle’s Poetics and the cognition development theory of Piaget. The result of this research is the writer rarely changed the story’s structure;the main character all have the special situation;most of the dialogue “tell” the reason why of the event;the theme fit the age above 10 and the action fit the age under 7;the writing of stage scene can shown the writer familiar or not to the stage tech including audio and vedio.
author2 none
author_facet none
Pau-line Hsu
許寶蓮
author Pau-line Hsu
許寶蓮
spellingShingle Pau-line Hsu
許寶蓮
From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006
author_sort Pau-line Hsu
title From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006
title_short From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006
title_full From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006
title_fullStr From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006
title_full_unstemmed From Story to Script —Examples of“Script Award of Taipei Children Art Festival”2002-2006
title_sort from story to script —examples of“script award of taipei children art festival”2002-2006
publishDate 2010
url http://ndltd.ncl.edu.tw/handle/54643801357024085883
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