" Symbolization, text, and parody "of fashion and vogue-The Exposition of Feng Shih-Hui’s Creations of Ink Painting

碩士 === 國立臺南大學 === 美術學系碩士班 === 98 === This narration presents the author’s creation study during 2006 to 2010, while the main point circles around the symbolization in fashion and vogue, text, and parody, in the use of view point under current environment to show the relationships between consumers a...

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Bibliographic Details
Main Authors: Shih-hui Feng, 馮世慧
Other Authors: Pan Ching-Lin
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/73365979751699311537
Description
Summary:碩士 === 國立臺南大學 === 美術學系碩士班 === 98 === This narration presents the author’s creation study during 2006 to 2010, while the main point circles around the symbolization in fashion and vogue, text, and parody, in the use of view point under current environment to show the relationships between consumers and elements stated above. The content displays merchandise in consumers’ eyes. The theory of post-modernism consumption, Semiotics, fashion and vogue sociology, and psychology are used to be the basis of creation study. In the creation, the objects are shifted to symbols and represented in the paintings, in the form of self-creation of breakthrough. The use of material changes the relationships between water and ink in ink paintings and extends to the well-blend of water and color, and freehand brushwork and elaborated style , and then develops different topics of ink paintings and multi-color expression, making ink painting closed to the face of current life. Firstly, chapter one is the description of motivation, goals, content, methods and frameworks of creation narration, as well as the steps of creation study that the author constantly ruminated on. Chapter two is to be the basis of creation theory, regarding to the consumption change process of fashion and vogue and form change, which caused the establishment and parade of play of fashion symbol text. Consumers see complicated merchandise from a banter point of view, with introspection criticism or pure fun from within. Chapter three is to deeply analyze the motivation and goals of self-creation study, by the examination of the author’s practice process and methods of form expression to provide artists who inspired the author the mutual comparison. Chapter four is to further analyze the philosophy of single creation and items of content in the aspects of three series of work development under the main spirit of fashion and vogue. Lastly, Chapter five is the conclusion of this creation essay, including the author’s learning and examination during creation study, as well as the prospect of creation and possibility of development.