巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例

碩士 === 國立嘉義大學 === 音樂與表演藝術研究所(Graduate Institute of Music a === 98 === Béla Bartók, a renowned Hungarian composer, is also a scholar of the Hungarian folk song study. He dedicated himself in collecting and arranging Hungarian folk songs, eventually resulted in the significant contribution to the nati...

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Main Author: 吳慧忻
Other Authors: 林姿瑩
Format: Others
Language:zh-TW
Published: 2009
Online Access:http://ndltd.ncl.edu.tw/handle/57354825832068805898
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spelling ndltd-TW-098NCYU52480012015-10-13T13:40:01Z http://ndltd.ncl.edu.tw/handle/57354825832068805898 巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例 吳慧忻 碩士 國立嘉義大學 音樂與表演藝術研究所(Graduate Institute of Music a 98 Béla Bartók, a renowned Hungarian composer, is also a scholar of the Hungarian folk song study. He dedicated himself in collecting and arranging Hungarian folk songs, eventually resulted in the significant contribution to the national music research development. This thesis is a research on Suite Paysanne Hongroise by Béla Bartók. The first chapter, also known as introduction, provides research motivation, research purpose, literature review, research scope and methods. A short biography of Bartók and the background of his compositions are provided in the second chapter. The third chapter emphasizes on Bartók’s Suite Paysanne Hongrois, and those he applied in this work such as rhythm, meter, scale, mode, dynamic and tempo etc. The fourth chapter is the performing interpretation of this piece, which can be used as a reference for flutists. The fifth chapter is a reconstruction Ballade of Suite Paysanne Hongrois, which was omitted in the trascribtion of Paul Arma. A conclusion is the sixth chapter. 林姿瑩 2009 學位論文 ; thesis 0 zh-TW
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description 碩士 === 國立嘉義大學 === 音樂與表演藝術研究所(Graduate Institute of Music a === 98 === Béla Bartók, a renowned Hungarian composer, is also a scholar of the Hungarian folk song study. He dedicated himself in collecting and arranging Hungarian folk songs, eventually resulted in the significant contribution to the national music research development. This thesis is a research on Suite Paysanne Hongroise by Béla Bartók. The first chapter, also known as introduction, provides research motivation, research purpose, literature review, research scope and methods. A short biography of Bartók and the background of his compositions are provided in the second chapter. The third chapter emphasizes on Bartók’s Suite Paysanne Hongrois, and those he applied in this work such as rhythm, meter, scale, mode, dynamic and tempo etc. The fourth chapter is the performing interpretation of this piece, which can be used as a reference for flutists. The fifth chapter is a reconstruction Ballade of Suite Paysanne Hongrois, which was omitted in the trascribtion of Paul Arma. A conclusion is the sixth chapter.
author2 林姿瑩
author_facet 林姿瑩
吳慧忻
author 吳慧忻
spellingShingle 吳慧忻
巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例
author_sort 吳慧忻
title 巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例
title_short 巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例
title_full 巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例
title_fullStr 巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例
title_full_unstemmed 巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例
title_sort 巴爾托克匈牙利農民組曲分析與詮釋--以阿曼改編之長笛與鋼琴版本為例
publishDate 2009
url http://ndltd.ncl.edu.tw/handle/57354825832068805898
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