A psychoacoustic approach for subjective music quality assessment
碩士 === 逢甲大學 === 工業工程與系統管理學研究所 === 98 === As downloading music through internet to mobile devices becomes increasingly popular, the download bandwidth becomes a limited resource. Therefore, if a dynamic download bandwidth can be determined without affecting the perceived listening quality, than we ca...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2010
|
Online Access: | http://ndltd.ncl.edu.tw/handle/45837293050597957449 |
id |
ndltd-TW-098FCU05031083 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-098FCU050310832016-04-20T04:18:21Z http://ndltd.ncl.edu.tw/handle/45837293050597957449 A psychoacoustic approach for subjective music quality assessment 應用心理聲學進行主觀音樂品質之評估 Shih-Ting Chen 陳詩婷 碩士 逢甲大學 工業工程與系統管理學研究所 98 As downloading music through internet to mobile devices becomes increasingly popular, the download bandwidth becomes a limited resource. Therefore, if a dynamic download bandwidth can be determined without affecting the perceived listening quality, than we can use the limited bandwidth more efficiently. This paper aims to investigate whether and how sampling rate, amplitude distortion at different frequencies and roughness affect perceived sound quality of different music styles. The experimental results show that high sampling rate associates with high subjective music quality as expected, however, given a specific sampling rate, subjective music quality is difference for different music styles. In the aspect of amplitude distortion at different frequencies, the subjective music quality was influenced by different frequencies and distortion levels. When these distortions represented in roughness, the perceived music quality was higher with higher levels of roughness. In addition, this paper constructed predictive models different music styles that generate preferences in terms of music quality. Two types of model were developed. The first one used psychoacoustic parameters as objective measures for forecasting preferences of different music types. Its R square was above 0.876 with a p-value < 0.01. The other use roughness as an objective measure for forecasting preferences of different music styles- and its R square was above 0.766 with a p-value < 0.01. Kuo-Hao Tang 唐國豪 2010 學位論文 ; thesis 132 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 逢甲大學 === 工業工程與系統管理學研究所 === 98 === As downloading music through internet to mobile devices becomes increasingly popular, the download bandwidth becomes a limited resource. Therefore, if a dynamic download bandwidth can be determined without affecting the perceived listening quality, than we can use the limited bandwidth more efficiently. This paper aims to investigate whether and how sampling rate, amplitude distortion at different frequencies and roughness affect perceived sound quality of different music styles. The experimental results show that high sampling rate associates with high subjective music quality as expected, however, given a specific sampling rate, subjective music quality is difference for different music styles. In the aspect of amplitude distortion at different frequencies, the subjective music quality was influenced by different frequencies and distortion levels. When these distortions represented in roughness, the perceived music quality was higher with higher levels of roughness. In addition, this paper constructed predictive models different music styles that generate preferences in terms of music quality. Two types of model were developed. The first one used psychoacoustic parameters as objective measures for forecasting preferences of different music types. Its R square was above 0.876 with a p-value < 0.01. The other use roughness as an objective measure for forecasting preferences of different music styles- and its R square was above 0.766 with a p-value < 0.01.
|
author2 |
Kuo-Hao Tang |
author_facet |
Kuo-Hao Tang Shih-Ting Chen 陳詩婷 |
author |
Shih-Ting Chen 陳詩婷 |
spellingShingle |
Shih-Ting Chen 陳詩婷 A psychoacoustic approach for subjective music quality assessment |
author_sort |
Shih-Ting Chen |
title |
A psychoacoustic approach for subjective music quality assessment |
title_short |
A psychoacoustic approach for subjective music quality assessment |
title_full |
A psychoacoustic approach for subjective music quality assessment |
title_fullStr |
A psychoacoustic approach for subjective music quality assessment |
title_full_unstemmed |
A psychoacoustic approach for subjective music quality assessment |
title_sort |
psychoacoustic approach for subjective music quality assessment |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/45837293050597957449 |
work_keys_str_mv |
AT shihtingchen apsychoacousticapproachforsubjectivemusicqualityassessment AT chénshītíng apsychoacousticapproachforsubjectivemusicqualityassessment AT shihtingchen yīngyòngxīnlǐshēngxuéjìnxíngzhǔguānyīnlèpǐnzhìzhīpínggū AT chénshītíng yīngyòngxīnlǐshēngxuéjìnxíngzhǔguānyīnlèpǐnzhìzhīpínggū AT shihtingchen psychoacousticapproachforsubjectivemusicqualityassessment AT chénshītíng psychoacousticapproachforsubjectivemusicqualityassessment |
_version_ |
1718228692951367680 |