The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp
碩士 === 文藻外語學院 === 創意藝術產業研究所 === 97 === This documentary is concerned with the migration of the Haocha villagers. It preserves the precious video and audio data of the Haocha people and points out the reciprocal relation-ship of the aborigine and Nature. The main aim is to evoke the whole society to...
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ndltd-TW-097WEUC57850022015-10-13T12:04:57Z http://ndltd.ncl.edu.tw/handle/54204337991553983492 The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp 流浪者之歌-好茶村术隘寮營區生活紀實 SHIH WEI SHU 蘇世偉 碩士 文藻外語學院 創意藝術產業研究所 97 This documentary is concerned with the migration of the Haocha villagers. It preserves the precious video and audio data of the Haocha people and points out the reciprocal relation-ship of the aborigine and Nature. The main aim is to evoke the whole society to pay more attention to the aboriginal topics of the migration. Firstly, literature review defines the meaning of the ―truth. Truth must be recreated and a documentary filmmaker must have his own points of view to represent the truth. Besides, this article describes the periods of the migration of the Haocha Village. We may realize their dealing with the migrant problems in a historical point of view. Moreover, the author (filmmaker)uses the method to analyze the form and content of the work, the creative idea of the work, the foundation of the theory and the method of the skill of the three do-cumentary films: An Inconvenient Truth, Drowned Out, Three Fork Village. From the dis-cussion of the global environment problems, we realize the influence of Nature. 921 Earthquake caused the Three Fork Village to rebuild their ruined houses at the original site. This example shows importance to the Haocha villagers. In addition to analyzing the three documentaries, the author(filmmaker)also takes three research methods of Auto-Ethnography, Participant Observation and Oral History as the theoretical foundation to present the filmmaker's subjective point of view. The filmmaker also let the young Haocha villagers use DV camcorders to shoot his daily life represented in the documentary later. The filmmaker himself interacting with the villagers also showed up in the documentary and took a serious attitude toward the villagers' interviews. The documentary includes three stages of the production: pre-production, shooting on the spot and post-production. The whole processes were written down with text and the film-maker reviewed the documentary in a reflexive way. HWAI HSUAN WU 吳懷宣 學位論文 ; thesis 226 zh-TW |
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碩士 === 文藻外語學院 === 創意藝術產業研究所 === 97 === This documentary is concerned with the migration of the Haocha villagers. It preserves the precious video and audio data of the Haocha people and points out the reciprocal relation-ship of the aborigine and Nature. The main aim is to evoke the whole society to pay more attention to the aboriginal topics of the migration.
Firstly, literature review defines the meaning of the ―truth. Truth must be recreated and a documentary filmmaker must have his own points of view to represent the truth. Besides, this article describes the periods of the migration of the Haocha Village. We may realize their dealing with the migrant problems in a historical point of view. Moreover, the author (filmmaker)uses the method to analyze the form and content of the work, the creative idea of the work, the foundation of the theory and the method of the skill of the three do-cumentary films: An Inconvenient Truth, Drowned Out, Three Fork Village. From the dis-cussion of the global environment problems, we realize the influence of Nature. 921 Earthquake caused the Three Fork Village to rebuild their ruined houses at the original site. This example shows importance to the Haocha villagers.
In addition to analyzing the three documentaries, the author(filmmaker)also takes three research methods of Auto-Ethnography, Participant Observation and Oral History as the theoretical foundation to present the filmmaker's subjective point of view. The filmmaker also let the young Haocha villagers use DV camcorders to shoot his daily life represented in the documentary later. The filmmaker himself interacting with the villagers also showed up in the documentary and took a serious attitude toward the villagers' interviews.
The documentary includes three stages of the production: pre-production, shooting on the spot and post-production. The whole processes were written down with text and the film-maker reviewed the documentary in a reflexive way.
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author2 |
HWAI HSUAN WU |
author_facet |
HWAI HSUAN WU SHIH WEI SHU 蘇世偉 |
author |
SHIH WEI SHU 蘇世偉 |
spellingShingle |
SHIH WEI SHU 蘇世偉 The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp |
author_sort |
SHIH WEI SHU |
title |
The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp |
title_short |
The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp |
title_full |
The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp |
title_fullStr |
The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp |
title_full_unstemmed |
The Diaspora of the Haocha Villagers—a documentary of the Haocha villagers in the Ailiao Camp |
title_sort |
diaspora of the haocha villagers—a documentary of the haocha villagers in the ailiao camp |
url |
http://ndltd.ncl.edu.tw/handle/54204337991553983492 |
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