Perfect Measurement－Explanation of Female Images

• Main Authors: Chin-Hua Tsai, 蔡金樺
• Other Authors: 張正仁
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/5jv8dz

碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 97 === Abstract Person exists in time and space by the physical body, in addition to that, it also involves with spiritual activities. The body has become a tool for self-identity and expression, in which a variety of physical or psychological, divergence and convergence of behavior also revealed that an individual''s life experience, the value of thinking, such as the impact caused by the outside world . This dissertation titled "Perfect Measurement" consist of series of works based on the photographic image that reflect the imposition of power traces onto the body in the social context; and through the creative writing discourse, It wishes to clarify that over the recent years, on the development of the creativity and the organization on the relevant theory and works, by artists and scholars. In the first chapter "Introduction", it briefs the creative background and motivation, from the time of the author entered the University, whom has sustained attention on the expression of the subject both inside and outside of the physical body. In the Post-Graduate study, the author moved from the form of oil painting- a more of traditional forms of media, and turned to graphical expression; and briefly explained of the nature of the modern image of the evolution of photography. In the chapter II "Correspondence to the Physical Concept of Creation", the authors explore the creative intent of the definition of the body, citing parts of Maurice Merleau-Ponty, Foucault and other scholars on the phenomenology of body, sociology, that the body is defined as an intermediary in the intrinsic soul and the outside world of the real field, and this inner field of physical activity and the environment outside the ideological impact of the interaction in between, which under a specific culture to develop a variety of appropriate behavior, that the physical body and the soul transformation into a variety of intervention programs. The third chapter " Relevant Precedents Study", citing three art works that associated with the author, namely Barbara Kruger, Cindy Sherman, Vanessa Beecroft , and with a brief comparative analysis. Chapter IV, "Creative Thought and Reflection", the author details the thinking of the three series context, starting from the self-introspection; to the thinking of inner self and the relationship (interaction) between the outside world; and further more on the body experiencing the difference by his/her history and identity, describing the environment from the disposal of power, coming from more of the feminine point of view, to counter the inherent emotional, and physical discomfort through experience, to show some endure, protest signs. Then, further analysis of the three series of works with the production of content and creative details of the manifesto, it can be clearly seen that the author’s intention and implication around the body and how the thinking has been accumulated and then evolved to its final forms. The final chapter "Conclusion", the author has summed up the thinking of the body and identity, and plan a follow-up creative imagination.