| Summary: | 博士 === 國立臺南藝術大學 === 藝術創作理論研究所博士班 === 97 === Abstract
The purpose of this thesis is to make a personal and experiential examination of the following questions relating to the theory and practice of modern art: Who is this person creating art? Who is this person discussing art? In what place, in what situation, in what manner, and with what sort of language does this person proclaim the whys and wherefores of art? In a creative culture characterized by rebellion, novelty, innovation, uniqueness, change, and surprise, just where are the boundaries of the language of negation and an ethic of creativity which takes scholarly negation as an approach to teaching art? In such an approach, just what is the basis for self-evaluation? Furthermore, what is the price to be paid for this sort of subjectivity? What currency and mode of exchange are employed? And who decides? Finally, what is the relationship between those who adopt this orientation and model of truth? This thesis also examines the questions of subjective autonomy in modernity; how to advance in a capitalist milieu characterized by a dialectic of creation and deconstruction; lifestyles which address the issues of cultural adaptation and well being; the abstraction and concretization of life; and the ethics of individual creativity.
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