| Summary: | 碩士 === 國立臺南藝術大學 === 建築藝術研究所 === 97 === The dimension, one kind of descriptive reference, the viewpoint of which is higher than space elements and object elements, takes it for one kind of intermediary material to express the self-intrinsic demand part in the creation. First, traces back the embodiment of self spatial concept, and the contradiction parts and ambiguous parts of space and objects. By individual viewpoint try to propose the analysis for the essences of space opposite to the local architectural phenomenons, and the correlations and re-interpretations between modernism and post-modernism. By setting up a new dimension system to research the new relations between space and objects. Further presents unknown things and unvisible things, that situated in the transitions between dimensions, the phenomenons of transitions and transformations, tries to find a way out, and concretely presents the viewpoint of creation corresponded to the new dimension system. Takes the new dimension system as a metaphor to present the potentiality of looking ways, and the absoluteness and relativity of boundaries and categories. This thesis attempts to propose that one kind of transformations opposite to the usual way, one kind of value judgments and the way of thinking makes the values been restructured, not to discard old values, not to make the boundaries been disappeared, but depicts the imagination of the new times after modern and postmodern.
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