| Summary: | 碩士 === 淡江大學 === 中國文學系碩士在職專班 === 97 === Abstract:
This thesis studies the development of Japan''s Chinese-style calligraphy affected by Chinese calligraphy and Chinese master handwritings.
The Purpose of Study
The purpose of this study focuses on the effects of Chinese calligraphy upon Japan both in Chinese-style calligraphy and publication area .
The Literature
This study goes through the literatures about Japanese calligraphy history ,and investigates into the prints of Japan in calligraphy field since 1945 year until 2007
year.
Researching Methods
The approaches to the purpose of this study including two ways: one is historical retrospect and another one is investigation . First , researching into the historical background of the causes and the manifestation of Japan''s Chinese-style calligraphy from ancient times to modern times. Second , investigating into the prints'' amount
and contents of Japan''s calligraphy corpuses printed from 1945 until 2007. Further-
more, interviewing with the manager of the publisher of the "ni-gan-sya" which is the number one of the calligraphy corpuses publishing both in amount and quality dimensions.
The Contents
This thesis including two dimensions. They are developed into seven main contents which are concerned about the causes and results relationship between
Chinese calligraphy cultures and Japanese Chinese-style calligraphy performances
in different times. They are the followings:
1. The historical background of Chinese calligraphy influenced upon Japan''s hand-
writing. The background researching emphasizes the origin of Japan''s Chinese-style calligraphy , as well as the great master handwritings that transited from Chinese to Japan during ancient to modern times and influenced Japan''s handwriting style remarkably .
2. The influence of Chinese calligraphy on Japanese calligraphy in the "Chinese-style times".
3. The influence of Chinese calligraphy on Japan''s Zen priest ''s handwriting.
4. The influence of Chinese Ming period calligraphy on Japan''s "Chinese-style calligraphy " in the Edo period.
5. The innovated appearance of Japanese Meiji period calligraphy affected by Yang, Shou-Jing (who lived in Chinese Chin period) and Chinese epitaph calligraphy of Northern court.
6. The features of the calligraphy corpuses publishing from 1945 year to 2007 year in Japan. The features and contents of the calligraphy corpuses that influenced by the culture of Chinese calligraphy.
7. The features of Ni-Gan-Sya''s handwriting copybook of Chinese master handwritings.
Conclusion of Thesis
In conclusion, Chinese calligraphy effected Japanese Chinese-style calligraphy noticeably . Chinese calligraphy is the origin of Japan calligraphy, and in Japan calligraphy history it caused Chinese-style handwriting peaks in sequences and resulted in several noticeable transformations. Chinese calligraphy cultures and master handwritings have been also effected the features of Japan''s publication in calligraphy field strongly. The cultures of Chinese calligraphy from ancient to modern times have had great effect upon Japan whether in its history of calligraphy
or the prints of calligraphy .
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